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Gulgong, a small town in New South Wales, Australia, is more than just a place with a rich history dating back to the gold rush era of the 19th century. It’s a town with a unique charm, known for its well-preserved 19th-century architecture, swagmen history and bush poet Henry Lawson. This unique charm attracts history enthusiasts, tourists, and those curious about Australia’s past.
A Historical Overview of Gulgong
Gulgong is located in the Central Tablelands region of New South Wales, about 300 kilometres northwest of Sydney. The town’s roots date back to the 1870s, when gold was discovered in the area. This discovery sparked a gold rush that attracted thousands of prospectors. The sudden influx of people transformed Gulgong from a quiet, remote area into a bustling gold-mining town almost overnight.
Many buildings were constructed during the gold rush, and several still exist today. One example is the Prince of Wales Opera House, built in 1871. It is the oldest continuously operating opera house in the Southern Hemisphere. Significantly, Dame Nelly Melba has performed on its stage. The town’s historic buildings, narrow streets, and sites give visitors a glimpse into life during the peak of the gold rush.
Henry Lawson, one of Australia’s most celebrated writers and poets, connects significantly to Gulgong, New South Wales. This link is primarily through his early childhood experiences and the region’s profound influence on his later works. Lawson’s association with Gulgong is a cornerstone of his literary legacy. It reflects the quintessential Australian rural life and the struggles of the working class.
Henry Lawson: Early Life in Gulgong
Henry Lawson was born on June 17, 1867, in Grenfell, New South Wales. Shortly after his birth, his family moved to the goldfields near Gulgong. His father, Niels Hertzberg Larsen (known as Peter Lawson), was a Norwegian-born gold prospector. His mother, Louisa Albury Lawson, was a prominent feminist and writer.
From the collection of the State Library of New South Wales
During Henry’s childhood, the Lawson family lived in the goldfields surrounding Gulgong. The rugged landscape, the hard life of the miners, and the sense of community among the settlers left a lasting impression on young Henry. These early experiences in the goldfields were pivotal in shaping his worldview and literary voice.
Literary Inspiration
Henry Lawson’s time in Gulgong gave him a wealth of material he would later draw upon in his writing. His works often depict the harsh realities of life in the Australian outback, such as the struggles of the working class and the resilience of the human spirit. With its boomtown atmosphere and transient population, Gulgong was a microcosm of the broader Australian experience during the gold rush era.
Lawson’s stories and poems are characterised by their vivid descriptions of the landscape and the lives of ordinary Australians. His intimate knowledge of the goldfields and the people who lived there gave his work authenticity and emotional depth.
The Swagmen: Icons of Australian Folklore
Swagmen, also known as swaggies or sundowners, were itinerant labourers who travelled on foot across the Australian countryside in the late 19th and early 20th centuries. They carried their belongings in a bedroll or “swag,” hence the name swagmen. These men became iconic figures in Australian folklore. Swagmen symbolised the spirit of independence, resilience, and the harsh realities of life in the outback.
The life of a swagman was arduous and uncertain. They often walked great distances in search of work, including shearing sheep, fencing, or harvesting crops. Swagmen would knock on the doors of remote homesteads, asking for food, water, or a place to sleep in exchange for labour. A sense of freedom, hardship, and poverty marked their lifestyle.
The swagman’s way of life has been immortalised in Australian culture through songs, poems, and literature. One of the most famous representations is the song “Waltzing Matilda,”. This story tells of a swagman who camps by a billabong and encounters a jumbuck (sheep). The song, written by Banjo Paterson in 1895, captures the essence of the swagman’s experience. Significantly, it remains an unofficial anthem of Australia.
Gulgong and its Connection to Swagmen
Gulgong’s connection to swagmen is rooted in its history as a gold-mining town. During the gold rush, many prospectors who flocked to Gulgong were swagmen, travelling from one goldfield to another in search of fortune. These men lived a transient lifestyle, often camping on the outskirts of towns like Gulgong.
The gold rush era was a time of great movement and migration. Swagmen played a crucial role in this period, as their labour was essential to developing the goldfields and the infrastructure that supported them. In Gulgong, they contributed to constructing roads, buildings, and other facilities necessary for the growing population.
Gulgong’s historical records and local folklore are replete with stories of swagmen who passed through the town. For example, the Prince of Wales Opera House was a popular venue where swagmen and miners would gather for entertainment after a hard day’s work. The town’s pubs and inns also served as meeting places for these itinerant workers to share news, stories, and companionship.
Secret Code
Swagmen also used a secret code of symbols to communicate the “lie of the land” to fellow travellers. This secret language was not unique to Australia. It was also used internationally by the tramps and gypsies of Europe and the hobos of America.
Chester Nealie, a well-known Gulgong potter, was approached by the council, and he came up with a creative concept for decorative paving in Gulgong. Nealie chose 16 symbols out of a possible 50, deemed appropriate for Gulgong’s gold rush and ‘battler’ past. The completed Gulgong Symbol Trail comprises around 70 tiles arranged randomly throughout Mayne Street and Coronation Park.
Preserving the Legacy
Today, Gulgong takes pride in preserving its rich history and the legacy of the swagmen. The Gulgong Pioneer Museum is one of the largest museums in regional Australia. It offers a comprehensive look at the town’s history, including exhibits dedicated to the gold rush era and the lives of the swagmen. Visitors can explore a vast collection of artefacts, photographs, and documents that tell the story of Gulgong’s past.
The town also celebrates its heritage through various festivals and events. The Gulgong Gold Festival, held annually, is a vibrant celebration that includes reenactments, historical displays, and activities that highlight the town’s gold rush history. This festival provides an opportunity for locals and visitors alike to experience the spirit of the 19th century and learn about the lives of the swagmen and miners who shaped the town.
Walking tours of Gulgong are another popular way to explore its history. Guided tours take visitors through the town’s historic streets, pointing out significant buildings and sharing stories of the people who lived and worked there. These tours often include tales of swagmen, bringing to life the experiences of these iconic figures.
- Prince of Wales Opera House: 101 Mayne Street
- Gulgong Pioneers Museum: 73 Herbert Street OPEN DAILY 9-5
- check out the fully restored Cobb & Co. Coach
- Gulgong Holtermann Museum; 123-125 Mayne Street
- OPEN DAILY 10 am to 3 pm Entry Cost Adult $10, Concession $8
- Don’t miss the wet plate photography. Imagine capturing a moment in time on a glass plate coated with light-sensitive chemicals. Each photograph is a precious artefact, preserving a slice of history for future generations
- Swagmen tile walk: along Mayne and Herbert streets
Cultural Impact
In Gulgong, the legacy of the swagmen is evident not only in historical records and physical landmarks but also in the town’s cultural expressions. Artworks, murals, and sculptures throughout the town pay homage to these itinerant workers. Local artists and writers often draw inspiration from the swagman’s lifestyle, ensuring their stories continue to be told and remembered. Additionally, the Henry Lawson Heritage Festival is held annually in June.
Lanyon Homestead is a beautiful, historic rural estate located on the outskirts of Canberra, Australia. It offers a fascinating glimpse into the lives and times of the country’s early settlers. Situated at the foot of the beautiful Brindabella Ranges, about 30 kilometres south of Canberra‘s city centre, the estate features rolling plains and woodlands that create a picturesque backdrop for the homestead, which dates back to the 1830s.
Historical Background
The history and growth of Lanyon Homestead are closely intertwined with the early European settlement in the Australian Capital Territory (ACT). In 1835, James Wright and his partner, John Lanyon, took out a pastoral lease of a large tract of land along the Murrumbidgee River, which was a vital water source in the otherwise arid Australian landscape.
Initially, the property was used for sheep grazing and cattle farming, taking advantage of the fertile plains and the river. By 1841, 59 workers lived on the estate, around half of them convicts. Eventually, John Lanyon returned to England, and James Wright took over the running of the estate. Wright, however, faced numerous challenges, including droughts and financial difficulties. This ultimately led him to sell Lanyon Homestead in the 1840s.
The estate then changed hands several times before it was acquired by the Cunningham family in 1849. The Cunninghams, a prominent pastoralist family, expanded the estate’s operations. They also built additional buildings and developed the homestead into a thriving rural enterprise.
In 1926, the estate was sold to the Osborne family. They, in turn, sold it to the Field family in 1930. The Fields, however, didn’t live at the estate but used it as a holiday home. While the Fields improved the old dairy and machinery, they respected the history of the house and buildings.
Architecture and Layout
Lanyon Homestead’s architecture blends Georgian and Victorian styles, reflecting the preferences of affluent rural homesteads in 19th-century Australia. The main homestead building, constructed in the 1850s, is a single-story house with a low-pitched roof and wide verandas. It also has thick walls designed to keep the interior cool during hot summers. It is built from locally sourced stone and features timber-framed windows, offering views of the surrounding gardens and the river.
One of Lanyon’s standout features is its meticulously maintained gardens, which include a variety of native and introduced plant species. The gardens were an essential part of the estate’s self-sufficiency, providing fresh herbs, vegetables, and flowers for the household.
The estate also includes various outbuildings, such as the woolshed, stables, blacksmith’s shop, and workers’ quarters. These provide a window to the past and illustrate the labour-intensive nature of pastoral life during the 19th century.
Life at Lanyon Homestead
Life at Lanyon Homestead during the 19th and early 20th centuries was centred around agriculture and livestock, mainly sheep farming. The estate produced wool, meat, and other agricultural products essential to the local economy. The river provided irrigation, which was critical for livestock and crop cultivation, allowing the estate to thrive even in challenging conditions.
The homestead was a family residence, but it also functioned as the centre of a small rural community. The Cunninghams employed many workers, including shepherds, stockmen, blacksmiths, and domestic staff, who lived on or near the property. The workers’ quarters, some of which have been preserved, highlight the contrast between the lives of the estate owners and those of the workers. While the Cunninghams enjoyed a degree of comfort and refinement inside the homestead, the workers faced a more rugged and physically demanding lifestyle.
The social life at Lanyon Homestead reflected its time. The family hosted gatherings, picnics, and social events common in rural communities. The homestead would have also been a place where neighbours gathered to exchange news and celebrate important events.
Lanyon Homestead Today
In the early to mid-1970s, the McMahon and Whitlam Governments withdrew the rural leases for Lanyon, Cuppacumbalong Homestead and Gold Creek Homestead. The Federal Government then compulsorily acquired Lanyon for $3.7m in 1974.
Today, Lanyon Homestead is managed by the ACT Government and is open to the public as a museum and cultural site. It is part of the ACT Historic Places network, which aims to preserve the region’s heritage and cultural history. The homesteads guided tours, exhibitions, and educational programs provide information about the estate’s history and the stories of those who lived there.
Visitors to Lanyon Homestead can take a tour through the original rooms. These have been furnished with period-appropriate furniture and artefacts to recreate the atmosphere of a 19th-century rural home. The preserved interiors provide a glimpse into the Cunningham family’s daily lives and domestic routines. Original furnishings, kitchenware, and personal items are on display. The tours also highlight the challenges and hardships the estate’s residents faced. Isolation, disease bushfires and floods were ever-present threats.
Cultural Significance
Lanyon Homestead is a well-preserved example of a 19th-century rural estate and an important site for understanding the broader history of European settlement in the Canberra region. It provides insights into the pastoral economy that dominated Australia’s rural development and the complex interaction between settlers and the Indigenous Ngunnawal people, who have lived there for thousands of years.
In recent years, efforts have been made to recognise and incorporate the region’s Indigenous history into the homestead’s narrative. This includes acknowledging the land’s traditional custodians and highlighting the Murrumbidgee River’s cultural and spiritual significance to the Ngunnawal people. By doing so, the homestead serves as a place of reflection and education, encouraging visitors to consider both the achievements and the darker aspects of Australia’s colonial past.
Nestled in the rolling hills of New South Wales, Canowindra is a charming town that offers a delightful mix of history, culture, and natural beauty. Canowindra is an excellent destination at any time of year, but visiting during the canola season (typically between August and September) provides a particularly magical experience. The landscape transforms into a sea of vibrant yellow, creating a stunning backdrop for exploring this quaint town. This guide will take you through the highlights of travelling to Canowindra during canola season, from the golden fields to the town’s historical and cultural attractions.
The Golden Fields of Canowindra
During canola season, one of the most breathtaking aspects of visiting Canowindra is the vast fields of blooming canola. The bright yellow flowers create a striking contrast against the green countryside and clear blue skies, making it a photographer’s paradise.
Best Spots for Viewing Canola Fields
To fully appreciate the beauty of the canola fields, take a scenic drive along the country roads surrounding Canowindra. Some of the best spots for viewing and photographing the fields include:
- Belubula Way: This scenic route offers panoramic countryside views and expansive canola fields. The rolling hills covered in bright yellow blooms create a picturesque scene that’s perfect for photography.
- Gaskill Street: While mainly known for its historical buildings, the outskirts of Gaskill Street lead to beautiful rural landscapes with canola fields in full bloom.
- Cargo Road: A popular route for wine enthusiasts, Cargo Road also passes through stunning canola fields. Combining a wine tour with canola viewing makes for a delightful day trip.
Photography Tips
To capture the best photos of the canola fields, consider the following tips:
- Golden Hour: The soft, warm light during sunrise and sunset enhances the yellow hues of the canola flowers, creating stunning images.
- Drones: If you have a drone, use it to capture aerial shots of the canola fields. The bird’s-eye view provides a unique perspective of the landscape.
- Foreground Interest: To add depth and interest to your photos, include fences, old barns, or trees in the foreground.
- Weather: Check the weather forecast before heading out. A clear, sunny day will make the canola fields look their best, while cloudy skies can add drama to your shots.
Historical and Cultural Attractions
While the canola fields are a highlight, Canowindra is rich in history and culture and offers plenty of attractions to explore.
Ballooning Over Canowindra
Canowindra is renowned as the “Ballooning Capital of Australia,” and experiencing a hot air balloon flight over the canola fields is an unforgettable adventure. The sight of the golden fields from above, stretching as far as the eye can see, is truly breathtaking. We took a sunrise flight with Balloon Joy Flights during our visit. Balloon flights provide a unique perspective of the landscape. Flights typically occur at sunrise or sunset, when the winds are calm, and the light is perfect for viewing the canola fields. Booking your flight in advance is recommended, as canola season is a popular time for ballooning in Canowindra.
What to Expect
A typical balloon flight lasts about an hour, but the entire experience, including setting up and packing away the balloon, can take three to four hours. Participants usually meet before dawn, and after a safety briefing, they watch as the balloon is inflated. Once airborne, you’ll drift gently over the countryside, with the pilot pointing out landmarks and sharing interesting facts about the area. Upon landing, a traditional champagne breakfast rounded off our experience in style.
Local Wineries and Dining
Canowindra is in a burgeoning wine region known for its boutique wineries and exceptional local produce. During canola season, the vineyards are surrounded by yellow blooms, creating a stunning setting for wine tasting and dining.
Wineries to Visit
- Rosnay Organic Wines: This family-owned vineyard produces organic wines, olives, and figs. The cellar door offers tastings and tours.
- Windowrie Estate: Known for its award-winning wines, Windowrie Estate provides a charming cellar-door experience. The picturesque vineyard makes it a great place to relax and enjoy a glass of wine.
- Wallington Wines: Specializing in handcrafted wines, Wallington Wines offers personalized tastings in a beautiful rural setting. The vineyard’s focus on quality and sustainability is evident in every sip.
Dining in Canowindra
Canowindra’s culinary scene is a delightful reflection of its agricultural bounty. Many of the town’s restaurants and cafes emphasize fresh, locally sourced ingredients in their menus.
- Finns Store: Located in a beautifully restored heritage building, Finns Store offers contemporary Australian cuisine, focusing on seasonal ingredients. It’s a perfect spot for a leisurely lunch or dinner.
- Taste Canowindra: Combining a restaurant, wine bar, and art gallery, Taste Canowindra provides a unique dining experience. Enjoy gourmet dishes paired with local wines while surrounded by works of art.
- The Old Vic Inn: This historic pub offers a cosy atmosphere and a menu featuring hearty, classic dishes made with local produce. It’s an excellent place for a casual meal and a drink.
Exploring the Outdoors
Beyond the canola fields, Canowindra offers plenty of outdoor activities and exploration opportunities.
Bushwalking and Wildlife
The Canowindra Nature Reserve is a popular spot for bushwalking, with trails that wind through woodlands, along riverbanks, and up gentle hills. The reserve has various wildlife, including kangaroos, echidnas, and numerous bird species. It’s a great place to immerse yourself in nature and enjoy the tranquillity of the countryside.
Fishing and Boating
The nearby Lachlan River provides opportunities for fishing and boating. Anglers can try to catch Murray cod, golden perch, and other freshwater species. The river’s peaceful surroundings make it an excellent place for a relaxing day on the water.
Accommodation Options
Canowindra offers a range of accommodation options to suit different preferences and budgets, from charming bed and breakfasts to self-contained cottages and historic inns.
Bed and Breakfasts
For a cosy and personalized experience, consider staying at one of Canowindra’s bed and breakfasts. Some popular choices include:
- The Old Vic Inn: We stayed here and found it fabulous. This historic inn offers comfortable rooms, a friendly atmosphere, and a central location. Guests can enjoy a hearty breakfast and explore the town’s attractions on foot.
- Gaskill Street Cottage: A charming, self-contained cottage in the heart of Canowindra. The cottage offers all the comforts of home and a peaceful garden setting.
- Montrose House is a beautifully restored heritage home offering elegant rooms and a warm welcome. It is known for its exceptional hospitality and delicious breakfasts.
Farm Stays
For a unique and immersive experience, consider staying at a farm stay. These accommodations allow you to experience rural life and enjoy the tranquillity of the countryside.
- Rosnay Organic Wines: In addition to its vineyard, Rosnay offers farm stay accommodation in a cosy, self-contained cottage. Guests can enjoy farm tours, wine tastings, and peaceful surroundings.
- Eddy’s of Canowindra is a working farm offering comfortable accommodations and a chance to experience farm life. Guests can participate in farm activities and explore the beautiful property.
Practical Information
Best Time to Visit
Canola season, typically from August to September, is the best time to visit Canowindra to see the fields in full bloom. The weather is mild, and the countryside is most beautiful during these months.
Getting There
Canowindra is approximately 300 kilometres west of Sydney, making it a manageable drive for a weekend getaway. The town is also accessible by public transport, with train and bus services connecting it to major cities and regional centres.
Local Tips
- Respect the Fields: While the canola fields are beautiful, they are also working farms. Be respectful of private property and stick to designated viewing areas.
- Dress Appropriately: The weather can be cool in the early morning and evening, so bring layers and comfortable walking shoes.
- Bring a Camera: The vibrant canola fields and picturesque landscapes provide plenty of photo opportunities.
Visiting Canowindra during canola season is a truly magical experience. The golden fields, the town’s rich history, vibrant culture, and welcoming community create a perfect destination for a memorable getaway. Whether exploring the scenic countryside, floating above the landscape in a hot air balloon, or savouring the flavours of local wines and cuisine, Canowindra offers a unique and enchanting travel experience. So pack your bags, set out on a golden journey, and discover the beauty and charm of Canowindra in canola season.
Chinamans Bridge is a large timber bridge that crosses the Goulburn River, 2.7 kilometres west of the Goulburn Valley Highway. It is believed to have been built in 1891 and was initially known as Kerris Bridge. It is one of Victoria’s oldest “surviving” timber bridges. The bridge’s construction was funded through a grant from the joint Public Works and Water Supply Departments. It was designed by the Goulburn Shire Council Engineer and built by the contractor JB Parkinson for £4188 3s 6d. Chinaman’s Bridge was first built as a drawbridge to allow river traffic to pass through. It was the era of river steamboats, and transport preferred the river to bullock teams on unmade roads. When river transport ceased, Chinaman’s drawbridge was no longer needed.
Architectural Features
The Chinamans Bridge had a lift span allowing sawmill and recreation steamers to pass through the Goulburn River. During the 1890s, the Nagambie Sawmill steamer crossed the bridge six times a week. Initially, the bridge carried the Nagambie-Heathcote Road over the river. However, a new bridge was built nearby, and the road was rerouted to cross the river at the new location.
The bridge was named Chinamans Bridge because it was located on Chinamans Road, an area once inhabited by Chinese market gardeners until 1916. Nagambie-Heathcote Road was initially known as Chinamans Road. Constructed of timber girder with hand-hewn squared timber stringers, the bridge features timber corbels and a deck. Of the lift span, only the timber fenders remain. The former drawbridge span was replaced with a steel span around 1940.
Heritage Listed
Chinamans Bridge holds heritage significance for the State of Victoria. It is listed in the Victorian Heritage Register (VHR) as place number 869 and register number H1449.3.
The bridge is historically significant as one of Victoria’s earliest all-timber road bridges. It is notable for using hand-hewn timber in construction and design details. Despite losing much of its original mechanism, the bridge is a rare surviving example of a bridge with a vertical span. From a historical perspective, Chinaman’s Bridge holds a noteworthy connection to the expansion of Victoria’s infrastructure in the 1890s and its role in the development of transport systems.
The bridge is closely linked with the growth of the township of Nagambie. It represents the prosperous sawmilling industry in the district during the 1890s. Chinamans bridge holds historical significance with its link to the steamboat era in Victoria. During this era in the 1890s, rivers were the preferred mode of transportation for recreational and commercial purposes over roads.
Flood Damage
The decaying bridge timbers were further weakened during the 2022 floods, making it extremely fragile and at risk of collapsing at any moment. Due to the immediate danger of collapse, engineers have deemed the bridge beyond repair. An exclusion zone was declared, and boats have been prohibited from passing under it since then.
The Strathbogie Shire Council has since applied to Heritage Victoria to have the heritage listing removed, allowing the bridge to be demolished.
Harry Power (1820-1891) was one of Australia’s most infamous bushrangers. He played a significant role in shaping the legend of bushranging during the 19th century. Born as Henry Johnson in Waterford, Ireland, in 1819, Power would lead a life of crime that spanned several decades before his eventual capture at Powers Lookout. He left a lasting imprint on Australian folklore. His story is a fascinating tale of crime, escape, rebellion, and the harsh realities of life in the colonial frontier.
Early Life and Criminal Beginnings
Harry Power was born into poverty and hardship. In the early 19th century, Ireland was a place of extreme social inequality, and Power’s upbringing reflected this. He grew up in a working-class family, and his early life was marred by deprivation. At the peak of convict transportation from Britain to Australia, Powers was convicted of stealing seven pairs of shoes at age 21 in 1840. The system of transportation was brutal, designed to both punish and isolate criminals from society. This marked the beginning of his long and tumultuous career as a criminal.
Upon his arrival at Port Arthur Penal Settlement in Van Diemen’s Land (now known as Tasmania), Power was subjected to the brutal conditions typical of convict life. The harsh treatment and forced labour in the colony’s penal system hardened Power and fueled his determination to escape. By 1855, after serving his sentence and receiving a ticket of leave, Power began his life of crime in earnest. He engaged in various criminal activities, including horse theft, which would become one of his signature crimes.
The Rise of a Bushranger
Powers’ notoriety and reputation as a bushranger soared. In 1856, he was arrested for horse stealing and received a thirteen-year sentence at Victoria’s infamous Pentridge Prison. His involvement in the murders of Owen Owens and John Turner further solidified his reputation. However, he was ultimately found not guilty of the murders. After spending two and a half years in the hulks, he was moved to the Pentridge Stockade but escaped in 1862. Subsequently, he was apprehended again for horse stealing and sentenced to seven years on the roads at Beechworth on February 19, 1864.
Escape
Power again escaped from Pentridge on February 16 1869, and held up the mail coach at Porepunkah on May 7. On May 22nd, he bailed up another coach on Longwood-Mansfield Road. Power then embarked on a series of robberies and hold-ups that terrorised the rural communities of Victoria. His criminal activities included robbing mail coaches, raiding homesteads, and engaging in violent confrontations with the authorities. Power’s audacity and success in evading capture made him a folk hero to some and a feared outlaw to others.
Harry Power became a master of the bushranger’s craft. He used his knowledge of the land, honed as a stockman, to evade capture. His robberies were bold, and he developed a reputation as a cunning and elusive criminal. He primarily operated in the northeastern regions of Victoria, where he terrorised travellers and settlers. Power was known for his “gentlemanly” conduct during his robberies. Unlike some other bushrangers, he was said to refrain from unnecessary violence and was polite to his victims. This image of the “gentleman bushranger” contributed to his growing legend.
The Mentor to Ned Kelly
One of Harry Power’s most intriguing aspects is his connection to the Kelly family. In the late 1860s, a young Ned Kelly, who would later become Australia’s most notorious bushranger, fell under Power’s influence. According to popular accounts, Power took Ned under his wing, teaching him the skills needed to survive as a bushranger. This relationship between Power and Kelly is significant in Australian history. While verifying the full extent of their partnership is difficult, it is widely accepted that Power played a role in shaping Ned Kelly’s early criminal career.
Ned Kelly’s family was well known to Power. The Kellys were struggling Irish immigrants living in the harsh conditions of colonial Victoria. Like many of their class, they had frequent brushes with the law. The Kelly family’s resentment towards authority and their rebellious spirit aligned with Power’s own experiences. Under Power’s mentorship, the young Ned Kelly was exposed to the life of a bushranger, and Kelly learned to live off the land, plan robberies, and outwit the police.
While Power was nearing the end of his criminal career, he may have inadvertently set the stage for the Kelly Gang’s rise, which would eclipse Powers’ fame and capture the nation’s imagination. It would also spark fierce debates about justice, authority, and the nature of rebellion.
Capture and Imprisonment
In September 1869, the Victorian government offered a reward of £200 for Power’s arrest. This was soon increased to £500. As a result, he moved to New South Wales but later returned to Victoria. However, he evaded capture until June 5, 1870, when he was arrested by Superintendents Nicolson and Hare, along with Sergeant Montford and a black tracker.
The trio surprised Power in his hideout at Power’s Lookout, a rocky escarpment overlooking the Quinn property on the King River. James Quinn received a reward of £500 for his information and assistance. Power was sentenced to fifteen years of hard labour at Beechworth for three counts of bushranging and was again incarcerated at Pentridge.
In prison, Power became something of a celebrity. His life stories as a bushranger captivated fellow inmates and the public. Despite his criminal past, Power remained a charismatic figure who entertained with tales of his adventures. However, prison life took its toll on him. By the time he was released in 1885, he was an old man in poor health, a shadow of the fearsome bushranger he had once been.
After being released, Power first worked as a gamekeeper. Later, he became a caretaker on the Success, a ship that had previously served as a prison hulk. However, it had been transformed into a travelling waxworks display showcasing the torture and punishment inflicted on criminals. The ship eventually sank, but Harry survived and returned to the bush. In 1891, he drowned in the Murray River as an old man with only a few shillings to his name.
Visit Powers Lookout
Drive three kilometres on a gravel road from Mansfield-Whitfield Road to a parking area with picnic tables and restrooms. Two lookout points offer stunning views of the surrounding mountain and valley. The first lookout is close to the carpark and wheelchair accessible. To reach the second lookout, you’ll take a short 0.4-kilometre walk with a series of steel ladders which lead to a viewing platform at the northernmost point of the rocky outcrop. It’s easy to see why Power chose this spot as a hideout. The stunning panoramic view allowed him to see and evade mounted police and trackers from miles away.
There’s also a 20-minute return walk through the bush to a waterhole surrounded by beautiful rocky ledges. To get there, follow the path near the toilets in a westerly direction.
Located in the heart of Victoria’s far west region of the Wimmera is Murtoa, a quaint country town roughly halfway between Melbourne and Adelaide. Murtoa is primarily known for its history as well as its booming grain farming industry. The farming industry produces wheat, barley, chickpeas & lentils for domestic and export markets. Murtoa is also an essential part of the Silo Art Trail, which celebrates regional Australia in a modern and accessible artistic context.
Historical Roots
Like many other towns in the Wimmera region, Murtoa has a rich history deeply rooted in agriculture. The town is named after an aboriginal word meaning ‘home of the lizard’ and was established in 1873 during the gold rush era. The development of the railway network for grain transportation significantly influenced its progress. Over the years, Murtoa evolved into an essential hub for grain production.
Agriculture remains the cornerstone of Murtoa’s economy, with wheat and barley being the major crops cultivated in the surrounding farmlands. The town has kept up with modern agricultural practices by incorporating technology to enhance efficiency while preserving its rural character. The Murtoa Stick Shed Heritage Weekend is held annually in the first week of October. It celebrates the town’s significant agricultural heritage and pays homage to grain storage and processing history. It attracts locals and tourists interested in learning more about these aspects of the town’s past.
Natural Beauty
Murtoa is also a beautiful destination for nature enthusiasts as vast plains and picturesque lakes encompass it. In 2010 the Wimmera Mallee pipeline was finished; consequently, the lake was no longer used as a reservoir. A Committee of Management was established, and significant improvements have been made since then. The park and lake have become a sanctuary for bird life, and with its 1921 Memorial Arch, it has become the focal point for many of the town’s recreational activities.
Lake Marma is a beautiful spot where you can relax and unwind. It has a lovely 2km walking track lined with trees. The track passes a jetty, manicured lawns, and seating areas where you can enjoy the spectacular views. Murtoa Cabins are conveniently situated on the foreshore of Lake Marma and offer comfortable accommodation. The self-contained cabins also have verandahs where you can enjoy sunset views. They are also just a short walk from the town centre and other attractions.
museum Precinct
Significantly, Murtoa is home to three of Victoria’s heritage-listed sights. The first is the Stick Shed, an impressive grain store built in 1941 and often called the Cathedral of the Wimmera. The second is the Railway Water Tower, built in 1886.
The tower is an impressive 4-storey, 13-metre high tower and home to the Water Tower Museum. The museum hosts the unique James Hill Taxidermy Collection, which includes over 500 birds and other fauna, historical artefacts, memorabilia, and households. It also houses farming tools from the 1890s, the town’s most significant growth era. Visitors can climb up the spiral staircase to the top floor, which reveals the underbelly of the 40,000-gallon wrought iron tank that used to store water for steam locomotives. The third heritage-listed sight in Murtoa is the Kurrajong Tree Ave. It was established in 1901 and is the oldest native street planting in Victoria.
The Murtoa silo art
The wheat silo has recently been painted by the renowned street artist SMUG and digitally lit by Dave Jones’ Transience. The stunning mural of brightly coloured birds was inspired by James Hill’s taxidermy collection at the Murtoa Museum (in the water tower). This bird mural is a sight to behold, day and night. The mural also pays homage to Dr John Cade, a Murtoa native who discovered Lithium treatment for Bipolar disorder.
Concordia Cottage
Concordia Cottage is the last remaining building of the original Lutheran college, which was established in Murtoa from 1890 to 1904 as a male Lutheran seminary and teacher training college on the corner of Lake and Munro Streets. In 1905, Concordia College relocated to Adelaide, where it still exists.
The Concordia Cottage building was later moved to Cromie Street in 1934. The Salvation Army used it as a hall and house until 1940. It was then remodelled as a private home until it fell into disrepair by the 1990s. However, in 1997, the cottage was moved to its current home, near the old Water Tower. It was officially opened in October 1997 as part of the Museum precinct. Displays include War memorabilia, Coromby Band photos, the old Murtoa telephone switchboard, historical clothing and a research room.
The Murtoa Heritage Trails Brochure, available for download, provides visitors with a self-guided tour through the town. As you follow the Blue and Red Trails, you will discover the heritage buildings located in the town’s centre. The Murtoa Historic Precinct entry tickets and Murtoa Heritage Trails self-guided walking tour brochures are all available at the Water Tower Museum shop.
Admission is $9 Adult (Eftpos available). Children under 16 free
Victoria, a beautiful state in Australia, is famous for its natural beauty, cultural heritage, and lively art scene. In this captivating landscape, the painted water tanks have become an unexpected canvas that has captured the attention of locals and visitors, primarily due to the popularity of painted silos. Once considered mundane, these structures have been transformed into stunning works of art, creating open-air galleries that enhance the rural and urban landscapes.
The Artistic Transformation
In recent years, people in Victoria have been encouraging local artists to collaborate with communities to transform ordinary water tanks into captivating works of art. Street artists and more traditional muralists have joined forces to create visually stunning pieces on these cylindrical canvases. The designs typically reflect the local culture, history, and environment. Each painted water tank tells a unique story, from depictions of native wildlife and plant life to indigenous artwork honouring the land’s original caretakers to contemporary designs that celebrate city life.
The Tatura water tower has remembrance poppies on one side and a portrait of Sir John Monash on the other. Cam Scale and Andrew Davis are the talented artists who created this beautiful artwork on the tower. The tower was built in 1912 and was designed by Monash, who was not only an engineer but also a renowned Australian military commander during WWI. The Tatura Water Tower is also the earliest surviving example of a reinforced concrete tower of its type in Victoria.
Connecting with Communities
The painted water tanks are beautiful not only because of how they look but also because of the sense of community they create. Making these artworks involves working with the locals, who help choose the themes and colours and even share stories to inspire the artists. This collaboration helps strengthen the community’s pride and ownership, transforming the water tanks from ignored structures into cherished symbols of identity.
Promoting Tourism
The painted water tanks have made quite a name for themselves, attracting tourists who crave a unique artistic experience. People now venture beyond the usual tourist spots to discover the hidden treasures of Victoria’s countryside and towns. The tanks have undeniably boosted tourism, increasing local economic revenue.
Challenges and Future Prospects
Painted water tanks have received much positive attention, but some difficulties come with this movement. Obtaining funding for significant projects and acquiring the necessary permits can prove challenging. Moreover, certain heritage-listed water tanks are not permitted to be altered. Additionally, artists must deal with logistical issues such as working at heights and ensuring the artwork can withstand weathering.
Despite these obstacles, the outlook for Victoria’s painted water tanks is bright. As the movement gains popularity, more potential sponsors and supporters are expressing their interest. The state’s commitment to promoting arts and culture further solidifies the importance of these water tank masterpieces as a crucial part of Victoria’s artistic heritage.
The painted water tanks in Victoria showcase the remarkable impact of art in elevating ordinary structures into extraordinary works of art. These structures, which were once ignored, have now become vibrant symbols of artistic expression, environmental awareness, and community collaboration.
Victoria’s street art scene is a lively showcase of creativity and self-expression. Urban walls have been transformed into stunning works of art, making it a highly respected art form. Street art constantly evolves, capturing the essence of culture, identity, and social commentary. Artists are continually creating new pieces, and new art may replace or cover older ones.
The Evolution of Street Art in Victoria
Victoria’s street Art had humble beginnings as an act of rebellion; however, it has transitioned into a legitimate art form.
Victoria’s street art scene emerged during the 1970s and 1980s, with graffiti artists leaving their marks on public spaces. Initially regarded as vandalism, attitudes changed in the 1990s as artists created more complex and imaginative works. Debates arose about how to distinguish between art and vandalism.
Street art festivals in Victoria during the early 2000s provided legal spaces for artists to express themselves through murals and graffiti. Notable events like the Stencil Festival and Melbourne International Street Art Festival were crucial in legitimising street art as a recognised art form. As street art gained acceptance, many councils and property owners commissioned artists for larger, socially significant murals celebrating local culture and history.
Art and Artworks
As street art gained popularity and commercial appeal, more and more artists entered the traditional art world. For example, exhibitions like Rone’s Time or Empire have showcased his creative skill, earning recognition from collectors and enthusiasts alike. This blending of street and traditional art highlights the incredible talent and versatility of Victoria’s street art scene.
Street Art with a Purpose
Street art has become a crucial part of urban development in recent years. It revitalises and activates urban areas, beautifies spaces, and promotes a sense of community. Victoria encourages street art, which increasingly incorporates cultural and social commentary. Artists use their work to raise awareness about important societal issues and engage the public in meaningful discussions.
In Victoria, street artists create visually appealing works and use their art to bring attention to social issues and promote various causes. Their murals and graffiti often convey compelling messages about environmental conservation, mental health, inclusivity, and social justice. In rural areas of Victoria, murals and silos frequently feature local wildlife. Street art, therefore, acts as a platform for activism and encourages positive change.
Inner city Hotspots
While street art can be found throughout Victoria, some areas have become well-known as important hubs for street art.
Brunswick
This suburb in Melbourne is a hub of street art. Stroll along Lygon Street and Sydney Road to uncover an array of vibrant and meaningful murals and graffiti. All highlight the artistic and cultural richness of the area.
Fitzroy and Collingwood
These urban areas are hubs for dynamic street art culture. Stroll through the streets, alleys, and laneways, and you’ll come across numerous murals, stencils, paste-ups, and graffiti pieces. Johnston Street, Brunswick Street, and Smith Street are especially abundant with street art.
Hosier Lane
A quaint cobblestoned alleyway near Flinders St. Station has become a dynamic, ever-changing outdoor gallery.
Street Art Towns
Benalla Wall to Wall Festival
Benalla is considered the street art capital of regional Victoria. Every year, they hold the Wall to Wall Festival of street art, which features incredibly talented and well-known street artists from all over the country and the world. They create breathtaking murals and street art on the walls of buildings around the town. If you’re looking to explore the 65 murals on the art-filled streets of Benalla, you can take a self-guided walk and make the most of your experience by using the Storytowns-Benalla Street Art app. Don’t forget to grab a street art walking map from the Visitor Centre!
Bendigo
Another regional centre located in Victoria has incorporated street art into its cultural landscape. The Bendigo Street Art project has brought stunning murals to various locations around the city.
Geelong
Geelong, a city in the southwest of Melbourne, has a thriving street art culture. The lively alleys and walls near Little Malop Street have become attractive outdoor galleries, giving the urban landscape character and creativity.
Rochester
Rochester is a town in the Campaspe shire that boasts impressive art installations. In this area, there are two silos that Jimmy Dvate has painted. Additionally, there is a laneway that features the artwork of Tim Bowtell on both walls. This laneway has been recently named Iddles Lane in honour of Ron Iddles OAM APM, an accomplished Australian police detective who had a remarkable conviction rate of 99%. His exceptional performance earned him the title of “Australia’s greatest detective.”
St Arnaud
St. Arnaud is a town between Avoca and Donald and was once a central place for gold mining. Kyle Torney, a skilled muralist and oil painter, is a resident of St. Arnaud and has gained recognition in the street art community for his Renaissance-style artwork. His pieces showcase local stories with great attention to detail. Coincidently, St. Arnaud is the region’s starting point of the Silo Art Trail and is a great place to stay overnight before you start the Trail the following day.
Warrnambool
Impressive murals and street art collections can be found in the coastal town of Warrnambool. The CBD and laneways feature colourful artworks that reflect the town’s beauty and local themes.
Shepparton
Shepparton has approximately ten street art spots and its award-winning Moooving Art herd. The locals have named ‘Dana Djirrungana Dunguludja Yenbena-l’ to the Aboriginal Street Art Project, which translates to ‘Proud, Strong, Aboriginal People’ in the Yorta Yorta language. The project aims to honour the area’s Aboriginal heritage and traditions while connecting the newly constructed SAM (Shepparton Art Museum) with Shepparton CBD.
Yarram
The small township of Yarram is in southeast Gippsland, 221 kilometres east of Melbourne. It’s a two-and-a-half-hour drive down the Princes Highway car.
Yarram boasts impressive artwork by Heesco, a well-known artist from Ulaanbaatar, Mongolia. Heesco relocated to Australia in 2010 and settled in Melbourne, where he has been busy painting walls across the country, including some silos in New South Wales. Yarram has ten outdoor murals and five indoor murals to enjoy. Yarram was also the Gold winner of the 2020 Street Art Awards.
While other states also have painted silos, Victoria has the most painted silos standing at 26, as of July 2023. Only Victoria has a drivable trail with only 50-60 km between each silo. And Victoria has three separate Trails at that! The Silo Arts Trail and the Northeast Silo Trail are in regional areas. These trails are a one-of-a-kind public art project in regional Victoria, Australia, that’s truly amazing.
Silos as a canvas
This unique project aims to turn rural landscapes into an open-air art gallery. Northam, Western Australia, was the first official silo artwork in 2015, created by Phlegm and HENSE. However, the Silo Trail concept was initially launched by the Yarriambiack Shire Council in 2016. Since then, talented artists from Australia and all over the globe have been invited to paint these silos with their artistic interpretations.
The painted silo artwork is by famous street artists such as Rone, Adnate, Dvate, Guido Van Helton, Kaff-eine and others, who use these towering silos as their canvases to create impressive artworks that celebrate the local communities, culture, and history.
The Silo Art Trail
The original Silo Art Trail in Northwest Victoria started in 2016 and stretches 350km across regional Victoria, where the silos are strategically located in small towns along the trail. The artwork celebrates the people and culture of the region and adds an artistic touch to the picturesque countryside. Towns that feature painted silos (in driving order) are:- St Arnaud, Rapanyup, Murtoa, Horsham, Sheep Hills, Brim, Lascelles, Walepeup, Sea Lake and Nullawil, with more being added all the time.
North East Silo Trail
The North East Victoria Silo Art Trail began in 2018 and spans 132km. It starts just outside Benalla and takes approximately two hours to complete. Talented artists, including Guido Van Helten, Sobrane, Cam Scale, Adnate, Dvate, and Tim Bowtell, a local artist from Benalla, created the silos along this trail. The first town, Goorambat, has four works of art, including the interior wall of the Uniting Church.
From there, it goes to Devenish, St James, Katatamite and Tungamah. The CFA Water tank at Winton Wetlands is a must-see on returning to Benalla. A North East Trail map is available for download.
Winton Wetlands
The Winton Wetlands Art in the Landscape project aims to improve the visitor experience and raise awareness about the ecological significance of the wetlands by incorporating art installations and sculptures throughout the area. Among these installations are the CFA water tanks. The tank depicts the faces of three CFA firefighters on its side. While in Winton, they are still part of the North East Silo Trail.
Guido Van Helton was commissioned in 2016, as part of the Wall to Wall Street Art Festival in Benalla, to paint the water tank in the heart of the Winton Wetlands.
Echuca-Moama Silo Trail
Echuca Moama and its surrounding regions house four silo and water tank art installations. The Echuca-Moama trail can be done in a full day, but can also be split it into two half-day drives. The total driving time, without any stops, is roughly between 3.5 to 4 hours.
From Echuca, it’s a short 25-minute drive to Rochester where there are two silos painted by Jimmy Dvate. While n Rochester check out Iddles Lane featuring murals painted by Tim Bowtell celebrating Ron Iddles one of the state’s most respected detectives
It takes approximately 25 minutes to drive from Rochester to Colbinabbin. In 2020, artist Tim Bowtell painted the silos in Colbinabbin, showcasing important moments from the town’s history. These moments include the town’s connection to agriculture, community, environment, and the construction of the railway.
The final destination is Picola, which is located 35 minutes away, again painted by Jimmy Dvate. The artwork showcases the culturally significant Barmah National Park and the various wildlife that inhabits it. After visiting Picola, it will take another 30 minutes to return to Echuca.
Woomeland Field Bins
Explore Woomelang’s unique Mini Silo Art Trail, which offers a creative twist on the well-known Big Silo Art Trail. This trail features eight Mini Silos (Field Bins) scattered throughout the town, providing a fun and exciting way to discover the area. The Mini Silos celebrates the endangered species of the Mallee region.
In June 2020, a group of seven artists, including Jimmy DVate, Andrew J Bourke, and Kaff-eine, converted mini silos into a popular tourist attraction for the town. The mini silos showcase endangered species that are native to the area.
The Silo Art Trail showcases the transformative power of art in enriching communities. This painted silos project has revitalised rural Australia by using ordinary grain silos as canvases for extraordinary murals, providing an unparalleled cultural experience for both locals and visitors. As you travel along the trail, you will witness breathtaking artwork and become part of the collective effort to preserve the essence of regional Australia.
The Silo Art Trail symbolises resilience, creativity, and the indomitable spirit of the Australian outback. So, pack your bags, hit the road, and let the vibrant stories told by the silos take you on an unforgettable adventure!
Located in the heart of New South Wales, Australia, the quaint town of Gundagai is home to an enduring symbol of Australian folklore – the dog on the tuckerbox. This cultural landmark embodies the Australian spirit’s resilience, tenacity, and humour and has become an iconic monument. The story behind the dog on the tuckerbox has surpassed its origins and has become a beloved part of the country’s heritage.
The legend of the dog on the tuckerbox dates back to the mid-19th century during the construction of the Sydney to Melbourne railway line. Gundagai, situated along the route, became a significant hub for bullock teams and their drivers who transported goods between the two cities. Life on the road was challenging, with gruelling journeys that tested both man and beast’s endurance.
The Origin
The statue’s inspiration can be traced back to a poem called “Bullocky Bill,” published anonymously by “Bowyang Yorke” in 1857. The poem humorously narrates a series of misfortunes a bullock driver faces, ultimately ending with his dog either sitting on or defecating on the food in his tucker box.
BILL THE BULLOCKY (By “Bowyang York”).
As I was coming down Conroy’s Gap
I heard a maiden cry:
“There goes Bill the Bullocky,
He’s bound for Gundagai.
A better poor old ———
Never cracked an honest crust;
A tougher poor old ———
Never drug a whip through dust.
“His team got bogged at the five mile creek,
Bill lashed and swore and cried,
‘If Nobby don’t get me out of this
I’ll tattoo his ——— hide.’
But Nobby strained and broke his yoke,
And poked out the leader’s eye;
And the dog sat in the tucker box
Five miles from Gundagai.”
The Legend:
In the 1920s, Jack Moses wrote a less offensive poem than Bowyang Yorke’s. However, it referred to Bowyang Yorke’s poem “Nine Miles from Gundagai”. In Moses’ poem, a dog guarded the tuckerbox by sitting on it. The poem became famous and inspired the creation of a statue. Later, in 1937, Jack O’Hagan published a song titled “Where the Dog Sits on the Tuckerbox (5 miles from Gundagai)”, and Moses’ poem was included in his collection, “Nine Miles from Gundagai”, which was published in 1938.
Nine Miles From Gundagai
I’m used to punching bullock teams across the hills and plains
I’ve teamed outback these forty years in blazing droughts and rains
I’ve lived a heap of troubles down without a blooming lie
But I cant forget what happened to me nine miles from Gundagai
Twas getting dark the team got bogged the axel snapped in two
I lost my matches and my pipe ah what was I to do
The rain came on twas bitter cold and hungry too was I
And the dog sat in the tucker box nine miles from Gundagai
Some blokes I know have stacks of luck no matter how they fall
But there was I lord luvva duck no blessed luck at all
I couldn’t make a pot of tea nor get my trousers dry
And the dog sat in the tucker box nine miles from Gundagai
I can forgive the blinking team I can forgive the rain
I can forgive the dark and cold and go through it again
I can forgive my rotten luck but hang me till I die
I cant forgive that blooming dog nine miles from Gundagai
But that’s all dead and past and gone I’ve sold the team for meat
And where I got the bullocks bogged now there is an asphalt street
The dog ah well he took a bait and reckoned he would die
I buried him in that tucker box nine miles from Gundagai
The monument
A monument was erected in 1926, nine miles away from Gundagai. Two years later, Frank Rusconi, a stonemason, suggested a memorial based on the legend of the dog on the tuckerbox. In 1932, the Back to Gundagai Committee decided to take up the proposal. They chose the Five Mile camping site over the Nine Mile Peg as the location for the monument because it was more convenient to the Hume Highway and closer to the town, making it more beneficial for tourism.
Rusconi made a small clay model and sent it to Sydney, where a mould and a small bronze replica of the dog were cast at Oliver’s Foundry. After some minor modifications, the mould was enlarged and then cast in Olivers in Sydney. Rusconi thought the original plan for the dog was too much like a “thoroughbred”, and he changed the design to make it more like the “mongrel” dogs the drovers “really” used. Pattern maker Richard Fowler created the memorial’s base, also done at Oliver’s Foundry.
The dog on the Tuckerbox monument was unveiled in 1932 during ‘Back to Gundagai’ week. A large crowd gathered to witness the statue’s unveiling by Prime Minister Joseph Lyons on November 28, 1932. In addition to the monument, a souvenir shop was opened. Consequently, Gundagai Hospital, which holds the copyright of the memorial, received royalties from firms using its image for many years.
Later history
Since 1992, a festival to celebrate the “Dog on the Tuckerbox” monument has been held annually. The festival, which marks the 60th anniversary of the statue, includes a two-day Snake Gully Cup Racing Carnival and other festivities at the Dog on the Tuckerbox Centre.
Vandalised and Pilfered
On October 27, 1981, a group of students from the Canberra College of Advanced Education (now known as Canberra University) stole the statue as a prank under the cover of darkness. When the locals of Gundagai discovered their beloved dog statue was missing, the news quickly spread, and a nationwide search began. Later that morning, officers at Belconnen police station in Canberra received an anonymous tip-off. They immediately rushed to the campus, where they located and seized the dog statue. However, the perpetrators had already disappeared by then.
“We weren’t treating the situation lightly,” she recalls. “We thought what a stupid prank it was to steal a national icon, and we were focused on finding it and returning it to its rightful home.”
Melita Zielonko (Ret. Police Officer, Belconnen)
Unfortunately, in July 2019, the statue was vandalised when it was dislodged from its plinth, causing damage to the face and breaking off an ear. However, it was repaired and unveiled again on August 17, 2019. Sadly, a few months after its grand re-unveiling, someone deliberately chiselled away the name of Prime Minister Lyons from the base of the monument, presumably as a political act. According to Rusconi, the only way to fix this was to remove the marble slab and have it reworked.
Five mile creek
The Five Mile was initially established as an overnight stop on the overland route between Sydney and Melbourne. During the 1860s gold rush era, hopeful diggers prospected in the area. As time passed, a small farming community, which included a vineyard, grew up around Five Mile Creek in the 1880s.
Also, at the five-mile point, there was an inn run by Joseph and Rosanna Carberry. They opened the Limestone Inn in 1858, which had twelve rooms, a cellar, a detached kitchen, a storeroom, stables, and other stone-built outbuildings. The inn primarily catered to travellers passing between Melbourne and Sydney. In April 1861, Brushrange’ Jack in the Boots’ and an accomplice robbed patrons and staff of their money. After the Carberrys left, the inn was managed by a succession of licensees until it finally closed its doors in 1976.
Symbolism of Resilience:
The Dog on the Tuckerbox is an enduring image that symbolises the resilience of those who faced the harsh conditions of 19th-century Australia. The dog’s statue standing steadfast on the tuckerbox is a metaphor for the unwavering spirit of the pioneers and labourers who contributed to the nation’s development despite adversity.
Travel photography is all about capturing the essence of people. The landscapes, cultures, and experiences that one encounters while exploring different parts of the world. It is a visual diary, a record of one’s travels. It aims to transport viewers to unfamiliar destinations, evoking a sense of place. It’s also like a time capsule, preserving memories from a trip that can be cherished and enjoyed for years to come.
What is Travel Photography?
While travel photography is its own genre, it also encompasses food, landscape, portrait and street photography. In addition, every travel destination has its distinct characteristics, such as its culture, history, people, landscapes, and stories.
This entails capturing the beauty of the natural environment, exquisite architecture, local customs, and lively street scenes. It also includes people’s interactions within their cultural settings. Moreover, the photographer endeavours to capture the destination’s essence and create images that inspire viewers to explore and experience the world. Thus revealing its unique features through visual storytelling.
One Example
Picture yourself taking a road trip on the renowned Great Ocean Road in Australia. While driving along the rugged Victoria coastline, you come across the breathtaking Twelve Apostles. A striking formation of limestone stacks towering above the Southern Ocean. You position your camera on a cliff’s edge and capture the dreamy golden sunlight enveloping the apostles in a warm glow during the golden hour.
By carefully composing the scene, one can emphasize the striking contrast between the vivid blue ocean, the rugged rocks, and the dramatic sky overhead. You also effectively capture the crashing waves against the apostles, creating a dynamic and powerful image. One depicting nature’s raw beauty and immense power.
Your photograph captures a defining landmark of Australia’s coastline, showcasing the natural wonders of the Great Ocean Road. It invites viewers to immerse themselves in the breathtaking scenery, inspiring them to explore the country’s diverse landscapes. In addition, the image serves as a reminder of the vastness and awe-inspiring sights that Australia has to offer.
What Gear?
When taking photos while travelling, it’s crucial to balance having the right equipment while ensuring that your gear is lightweight and easy to carry. Here are some essential equipment suggestions for travel photography.
- Camera: When selecting a camera, it’s important to consider your specific needs and preferences. You have several options to choose from, including compact point-and-shoot cameras, mirrorless cameras, and DSLRs. Consider factors like image quality, size, weight, and versatility to make the best decision.
- Lenses: When packing for your trip, aim to bring a variety of lenses that can cover different focal lengths. A wide-angle lens, typically around 16-35mm, is ideal for capturing landscapes and architecture. On the other hand, a zoom lens like the 24-70mm or 70-200mm offers versatility for various types of shots.
- Tripod: For steady shots, long exposures, and self-portraits, a lightweight and sturdy tripod is essential. It’s important to find one that is compact and easily fits into your travel bag for convenience. (Carbon fibre tripods are the lightest).
Equipment is not just the camera.
- Extra Batteries and Memory Cards: Ensure you have spare batteries and sufficient memory cards. Nothing is worse than running out of power or storage space while on the go. It’s always better to have more than you think you’ll need.
- Camera Bag: Investing in a durable and comfortable camera bag is essential for protecting and organizing your gear. It’s important to choose one with padded compartments and convenient accessibility.
- Filters: When taking photos, it’s worth bringing along some useful filters like neutral density (ND) filters to manage the light and polarising filters to minimize glare and intensify colours.
- Cleaning Kit: It’s a good idea to have a compact cleaning kit. Look for one with a lens cloth, blower, and cleaning solution. This will keep your equipment in good condition and achieve dust-free pictures.
- Remote Shutter Release: When taking long exposures or self-portraits, a remote shutter release or cable release can come in handy to minimize camera shake.
- Portable External Hard Drive: It is important to regularly back up your images to avoid losing valuable data and to free up space on your memory card. You can use a portable external hard drive or cloud storage.
- Travel Adapter and Charger: When planning to travel abroad, it is advisable to bring a travel adapter and charger compatible with the destination country’s electrical outlets. This will ensure you can charge your devices and stay connected while travelling.
Tips to get you started
- Plan and Research: Before you travel, research your destination to understand its culture, landmarks, and points of interest. This will help you identify unique and photogenic locations.
- Pack Light and Smart: Travel photography often involves a lot of walking, so it’s essential to pack light. Carry only the necessary camera gear and accessories. Consider a versatile lens that covers a wide range of focal lengths.
- Capture the Local Culture: Focus on capturing the essence of the destination by photographing local people, their daily lives, traditions, and customs. Be respectful and seek permission when photographing individuals.
- Seek Unique Perspectives: Look for different angles and perspectives and experiment with low angles, high angles, and different compositions to add interest to your shots.
- Golden Hour and Blue Hour: Take advantage of the beautiful lighting during the golden hour (shortly after sunrise or before sunset) and the blue hour (before sunrise or after sunset). The soft, warm, and diffused light during these times can enhance your photos.
- Tell a Story: Look for scenes that tell a story or evoke emotions. Include elements that provide context and create a sense of place.
- Pay Attention to Details: Details can often make for compelling photographs. Capture close-up shots of interesting textures, patterns, architecture, or local cuisine to add depth and variety to your travel album.
- Be Mindful of Composition: Use the rule of thirds, leading lines, and framing techniques to create visually pleasing compositions. Consider the foreground, middle ground, and background to add depth and balance to your images.
- Experiment with Long Exposures: If you have a tripod, try long exposure photography to capture motion blur of waterfalls, flowing rivers, or bustling city streets.
- Practice Patience and Observation: Take the time to observe your surroundings, anticipate moments, and wait for the perfect shot. Patience can often lead to capturing unique and memorable images.
Locations not gear
Explore the world! Visiting breathtaking destinations will yield better photographic opportunities than investing in pricey equipment. Don’t underestimate the capabilities of your phone camera either – it can capture stunning shots.
Travel photography can transport viewers to different corners of the globe, fueling a desire to see these awe-inspiring landscapes in person. This is the essence of travel photography: to inspire adventure, ignite wanderlust and encourage appreciation for the beauty of the world’s natural and cultural wonders.
Dows Pharmacy at Chiltern was established in 1859. The pharmacy holds significant historical value as it is one of the few shops that have been preserved in its original state, providing a unique insight into the past. Although it closed in 1968, the pharmacy’s contents remained untouched, making it a unique time capsule of the past.
The Pharmacy was first run by William Witt, who opened the doors in 1859. David McEwen owned the pharmacy from 1864 to 1891. He was the father of the Australian prime minister, John McEwen, who took over the Prime Ministership in a caretaker role upon the disappearance of Harold Holt. In 1929, Hilda Dow purchased the pharmacy. The Dows ran it for the next 38 years until Hilda retired in 1968. During their tenure, the pharmacy became a thriving community hub, providing essential services to the people of Chiltern.
Hilda Dow
Hilda Dow (nee Grey) was the daughter of police magistrate Charles Grey and sister of Royal Melbourne Hospital Lady Superintendent Helene Grey, OBE. She became a student of the Victorian College of Pharmacy in 1919. In 1929, she worked at Poynton’s pharmacy in Morwell, when she purchased the pharmacy at Chiltern in Victoria. She was elected to the Pharmaceutical Society of Victoria as a member in 1930.
Hilda purchased the pharmacy in 1929 on the eve of the great depression. Until they married in 1931, Hilda resided at the hotel across the street while Roy lived in the residence at the back of the pharmacy. After their marriage, Hilda joined him in the residence. Hilda apprenticed Roy in 1933, and the couple ran the pharmacy in Chiltern until 1968 when they closed the doors.
After retiring in 1968, Hilda Dow attempted to sell her pharmacy, but unfortunately, no buyers were interested in purchasing it. As a result, it remained closed and abandoned for many years. Finally, in 1988, Mrs. Dow generously donated the pharmacy to the National Trust. Dows pharmacy is now a museum for visitors to explore. Hilda Dow was also a highly involved member of various organisations, including the North East branch of the National Trust, the hospital committee, the Infant Welfare Centre board, the Red Cross, and the Chiltern Branch of the County Women’s Association, where she held a leadership position.
National Trust
The National Trust now runs the pharmacy as a museum. A collection of more than 4,000 original items offers an fascinating insight into the history of medicine and pharmacy. Visitors can explore a variety of artifacts, such as bottles, jars, scales, measuring cups, dispensing equipment, and displays of medicines, photographic supplies, and shop fittings.
One of the most striking features of Dows Pharmacy is its time capsule-like atmosphere. The contents of the pharmacy were left untouched when it closed in 1968, and as a result, it feels like stepping back in time. The shelves are still stocked with medicines, the jars are still filled with herbs, and the scales are still set to weigh prescriptions.
Hilda and Roy were both active members in the Chiltern community. Roy received an MBE in 1970 for his valuable services to pharmacy in Victoria. Unfortunately, Roy passed away in 1976, and Hilda followed fourteen years later, passing away in a care home at the age of 92.
Fast facts
- The pharmacy was built in the Victorian Italianate style.
- The original fittings and fixtures, including the mahogany counters, brass scales, and glass display cabinets, are still in place.
- The pharmacy’s collection of medicines includes over 1,000 different items dating from the 19th and early 20th centuries.
- The pharmacy also has a collection of photographic supplies, including cameras, lenses, and film.
- Dows Pharmacy was donated to the National Trust of Australia in 1988.
Visiting the Pharmacy
Dows Pharmacy is a valuable historical resource and a fascinating place to visit. It is also a reminder of the important role that pharmacies have played in our communities, and it is a window into the past. If you are ever in Chiltern, be sure to stop by and take a look.
Dow’s pharmacy is open to the public on Tuesdays, Wednesdays, and Saturdays from 11 am to 2 pm. The pharmacy is also available for group tours by appointment.
National Trust Members: FREE
Adult: $5
Concession: $4
Child: $3
Family: $12
42 Conness Street, Chiltern