Tag:abstract

intentional camera movement

Painting with Pixels: The Magic of Intentional Camera Movement

Photography is a versatile art form that enables people to capture moments in time, preserving them forever. While traditional photography prioritises sharpness and clarity, intentional camera movement (ICM) departs from this convention. ICM is a creative technique that involves deliberately moving the camera during the exposure, resulting in images characterised by blur, abstraction, and a sense of dynamism.

Historical Context

Photographers in the mid-20th century started experimenting with unconventional techniques to break free from the traditional photography constraints. Intentional camera movement is one technique that allows photographers to create images that focus on conveying emotion and energy. Ernst Hass and Aaron Siskind were among the pioneering artists who embraced this idea of intentionally moving the camera, marking the beginning of a new era in photographic expression.

Techniques of Intentional Camera Movement

Intentional Camera Movement (ICM) involves deliberately introducing motion during the exposure to achieve various visual effects. One of the most common methods is panning the camera horizontally or vertically while capturing a moving subject like a car or a river. This creates dynamic streaks of colour and light, giving the image a sense of speed and direction.

intentional camera movement
diagonal swipe

Another technique involves rotating the camera on its axis, producing circular or spiral patterns. This is often used to capture the energy and vitality of natural landscapes or seascapes. Additionally, camera shake, created by gently tilting or jostling the camera during exposure, can produce abstract and painterly images that go beyond the boundaries of traditional photography.

Visual Impact and Emotional Resonance:

Intentional camera movement has a unique ability to evoke emotions and engage viewers on a deeper level. ICM images often have an abstract, dreamlike quality that encourages subjective interpretation, creating a more immersive experience. The intentional introduction of blur can convey a sense of mystery and nostalgia, prompting viewers to contemplate the fleeting nature of time and space.

Moreover, ICM can be a powerful storytelling tool. Photographers can guide viewers’ attention by emphasising certain elements using movement and blur and creating a narrative within a single frame. The ambiguity and open-ended nature of ICM images challenge viewers to actively participate in making meaning. Thus resulting in a stronger connection between the photograph and the observer.

intentional camera movement
Top-to-bottom swipe
Challenges and Rewards:

Intentional camera movement is a technique that offers a wide range of creative possibilities. However, mastering it requires both technical skill and artistic intuition. Achieving the right balance between blur and clarity can be challenging, and the unpredictable results add a sense of experimentation to the process. However, this unpredictability makes ICM exciting and rewarding for photographers who want to push the boundaries of their craft.

Creating an ICM image
Select a Suitable Subject:

Intentional Camera Movement can effectively shoot scenes with distinct patterns, textures, or colours. Subjects with solid lines or shapes, such as beach scenes, trees, etc, can enhance the visual impact of ICM.

Choose the Right Settings:

Switch your camera to Manual (M) mode to control the exposure settings completely. Begin with a slow shutter speed, say 1/4s to 1s, to give enough time for the movement. Use low ISO to avoid any needless noise in the picture. Adjust the aperture to regulate the depth of field according to your artistic vision.

Use a Tripod or Handheld:

You can use a tripod or handheld for freedom of movement. I have always just handheld.

Experiment with Movement Techniques:
  • – Panning: This technique involves following the movement of a subject either horizontally or vertically. It is particularly effective when photographing moving objects such as cars or people.
  • – Rotating: In this technique, you rotate the camera on its axis during the exposure to create circular or spiral patterns in your image.
  • – Shaking: Gently shaking or moving the camera in different directions can introduce random blur and abstraction to your photos.
Practical Considerations:
  • When you take photographs, you can either manually focus or use autofocus, depending on your personal preference and the nature of your subject. Choosing a focal point in the scene that stays relatively still is essential to create an anchor within the blur and produce a recognisable image. Experiment with different shutter speeds and movements for unique effects.
  • After taking a few photos, review them on your camera’s display to evaluate the results. Adjust your technique, settings, and movements based on the feedback from your initial attempts.
  • Minimal post-processing can enhance ICM images by adjusting colour, contrast, and sharpness. Experiment with post-processing tools to achieve desired effects.
Adamski Effect

The Adamski effect is a photographic technique created by Josh Adamski, a renowned artist and photographer born in Tel Aviv in 1948. His unique method of impressionist photography involves utilising blur techniques to create the illusion of motion, resulting in abstract images with a dreamlike quality.

Adamski’s photos often capture the beauty of movement, transforming mundane scenes into captivating works of art. The Adamski effect has gained worldwide recognition for its ability to create visually stunning images that challenge our perceptions of the world around us.

Adamski Effect, before and after

It is important to remember that intentional camera movement is a technique that is highly subjective and experimental, and it does not follow strict rules. Therefore, allowing yourself to be creative and embrace the unpredictability of the results is essential. With practice, you will better understand how different movements and settings can influence the outcome, leading to more intentional and satisfying results.

abstract photography

Abstract Photography – Unleash Your Creativity

While realistic photography depicts the ‘real’ world around us, abstract photography is the polar opposite and makes viewers question what they see. Abstract photography images are those that don’t have an immediate, obvious connection with the physical world. Instead, abstract photographers use perspective, movement, and light to transform the world we see into an unexpected, often unrecognizable image. An abstract is not representative of what we see. However, this genre explores the texture or detail of everyday objects.

abstract photography - intentional camera movement
Intentional Camera Movement of trees
light painting - abstract photography
Light Painting
Types of Abstract Photography
  • Intentional Camera Movement (ICM)
  • Light painting
  • Bokeh
  • Oil and water
  • Reflections
  • Macro
  • Double Exposure
  • High-speed water/paint drops
Up or Down? In the image above, the reflections have been flipped 180°
Key Elements

Abstract photography is one where there is a complete absence of rules. Certain elements, however, will give your abstract image more appeal.

  • Simplicity – aim for an uncluttered image, therefore, one without a lot of elements
  • Composition – while the rule of thirds doesn’t apply, the abstract image has a clear structural design. Accordingly, give thought to the image’s shapes, patterns, textures, and colours.
  • Perspective – shoot from unusual angles, flip or rotate the image to provide an exciting orientation.
  • Light – backlighting, shadows and silhouettes create mystery in your image.
  • Colour – vibrant colours that work well with each other
abstract photography - oil and water
Oil and Water
high speed paint drops - abstract photography
High-speed paint drops
Take or Make?

While you can take an image – you can also make abstract images in photoshop. One easy and fun technique is twirls using an image you already have. A good tutorial can be found HERE

Sunflowers converted to twirls
Tips for beginners
  1. Start with everyday household objects
  2. Try Intentional Camera Movement – trees or seascapes make great subjects
  3. Macro photography works great – e.g a closeup of a petal or leaf edge
  4. Experiment with different angles
  5. Look for structure in lines and curves
  6. Apply the KISS principle (keep it simple stupid) – minimise the elements.
  7. Use photoshop or lightroom to add effects.
abstract photography at NGA
Endless Lines

Easy Abstract Images with Oil & Water Photography

Oil and water photography produces gorgeous abstract images full of colour. It’s something that can be done easily at home – with items you have at hand. This is awesome, considering we are all in lockdown here in Victoria for the foreseeable future and getting supplies is difficult.

Easy Abstract Images with Oil & Water Photography
Oil and Water
Supplies
  • A glass dish. Size is a personal choice but the bigger the dish the bigger the image. I used a rectangular glass pyrex dish from Ikea. It’s particularly good for this type of thing as the logo is in the corner, not the centre of the dish as they usually are. So its easy to avoid including the logo in the image but any glass dish will work if its deep enough
  • Glass cleaner (to clean your glass), paper towels or old towel
  • Camera with macro lens or lens with macro extension tubes
  • Tripod
  • Cooking oil – any sort will do from olive oil, canola, vegetable, rice oil. they all work the same
  • Dishwashing liquid
  • Bright coloured backgrounds – wrapping paper, coloured patterned fabric, your iPad with a bright wallpaper on it. The brighter your backgrounds are the better. Don’t worry about the patterns on them – the backgrounds will be blurred out. Just go for bright colours.
  • Something to stand your dish on. I used a photo frame with just the glass left in the frame. You can create legs from tins or cans or soft drink. Two wooden chairs also work. You need to be able to create a bridge to sit your dish on with the coloured backgrounds underneath
my setup in front of the window
The Setup

Place your coloured background on a table or bench, and create the supports for your dish with the tins or chairs. If using chairs, you will need to place your background on a stack of books, so it’s not too far from the dish. You need it approximately 20-25 cms below the glass. I downloaded some colourful wallpapers to the iPad and used them under the setup for my backgrounds. Check out the free downloads at Wallpaperplay.com.

Fill your glass dish with water, almost to the top ( fill when it’s in place rather than fill and move). The more water you use, the deeper it is, the more it will hide the manufacturer’s logo on your dish.

Next, add some dishwashing liquid; just a dessert spoon is usually enough. This makes the bubbles more vibrant and makes them rounder and a bit thicker. Again, it’s not essential – you can work without dishwashing liquid, but I like how it makes the bubbles more 3D rather than flat.

setup to shoot
Adding the Oil

Lastly, add your oil. How much is a personal choice and very much based on the size of your dish. With more oil, the more bubbles and less negative space. The larger the surface area of your dish, the more oil you will need. Start by adding a couple of tablespoons but ended up using just under a 1/4 cup. It was a big dish. I also found the oil bubbles tended to gravitate to the edges of the dish. It’s easier to add more oil bit by bit than have to start again if you have added too much.

Give your concoction a gentle stir to break the oil up. If your bubbles are too big, add a bit of dishwashing liquid and stir again. The more you stir, the more the bubbles will break up and become smaller. Stir gently as you don’t wash dishwashing liquid bubbles. If you want giant bubbles, go easy on the stirring. It does take a while for everything to stop moving after you’ve stirred. I waited, and waited… then left, made a cuppa, and came back ten mins later.

oil and water

I shot with Olympus and used the 60mm macro. A macro is really essential for these types of shots. You can get away with a standard lens, but you will have to crop heavily. If you don’t want to invest in a macro lens, extension tubes also work and are quite inexpensive.

Easy Abstract Images with Oil & Water Photography
Camera Settings

In manual mode, I set the camera to F2.8 (it was the lowest my macro would go), ISO 200, and the shutter speed to the correct exposure for the available light, which in my case was 1/100. I then added +2 for exposure compensation to be nice a bright. A longer exposure isn’t a problem (but the moving bubbles are, so wait for them to settle a little each time you stir them). Next, attach the camera to the tripod, place it over the setup (carefully), and ensure the camera is shooting straight down. Try not to bump the dish, or everything will start moving again.

Focus on the bubbles!

Using live view, focus on the bubbles, not the water. This will ensure your background is nicely blurred and the bubbles are the star. Fire off some shots, move the camera around to shoot different sections of your dish as well as giving the liquid a very gentle stroke from time to time to move the bubbles to a different composition, and change the backgrounds out regularly

Abstract Images with Oil & Water Photography

I shot around 200 images during my oil and water photography session and ended up deleting lots, as some were very similar, and in others, the bubbles weren’t as sharp as I would have liked. However, my tally at the end was 29 keepers, so it’s a lot of gain for a simple setup. So, while you have it all set up, shoot as many as you can.

Editing

Editing was minimal. I imported it into Photoshop and slightly increased the exposure, vibrance, contrast, and dehaze. Then it was a light sharpen and crop. I used the spot healing brush to edit out stray tiny bubbles for more negative space in some cases.

Easy Abstract Images with Oil & Water Photography

I also gave the back a rest (you cant avoid stooping over the setup), left it overnight. Then, the next day, I came back and gently dragged some shapes into strands rather than bubbles with a fingernail.

oil and water photography
playing with oil and water photography

I found Oil and Water photography surprisingly easy and loads of fun. It’s something you can do at home without any extra supplies. And definitely not as hard on the back as the Water Refraction drops were.

© Bevlea Ross