Tag:backpack
Like every other photographer I know, I have a ‘silent addiction’ to camera bags. All of us in CBA (camera bags anonymous) have several bags, gathering dust accumulated over the years in the cupboard. This is while we continue to research and buy new bags searching for the holy grail. The perfect one size fits all camera bag.
Peak Design Everyday Backpack
To this end, I bought the Peak Design Everyday Backpack, a bag I had long coveted, thinking it would be perfect. And found, as did the crusaders in the search for the holy grail, or Captain Ahab in his pursuit of the white whale – it’s futile. No one bag will ever be suitable for every situation.
I have had no-name camera backpacks, sling bags, and messenger bags. Tried Lowepro backpacks and slings and tote bags with added padded camera inserts. I bought a Lowepro Flipside Trek BP 350 for a trip to Europe. I even purchased the Lowepro rolling suitcase at one time, thinking of all the times I lugged a heavy bag around an airport. Then fully loaded, the bag was too heavy to pass carry-on! All in the hunt for the one bag that would carry my gear and not break my back.
Lowepro Tahoe
When I sold my Canon gear and went mirrorless, I purchased a Lowepro Tahoe. It worked great. That was until I accumulated a few more lenses. Not one bag I have had worked as an ‘every time I leave the house bag. And neither does the Peak Design Everyday Backpack.
That being said, the only two I now own are the Lowepro Tahoe and the Peak Design 30L Everyday Backpack, and I am pleased with both. However, through trial and error and many regretted purchases, I have found that you can’t get away with one bag. You need two. Why? Do you ask?
Why two bags?
It depends on where I am going and how much gear I need/want to take. I have found I need a day bag and a weekend/trip bag. My day bag is when I am just heading out for an afternoon or day trip. For those times, I don’t want to take everything. The weekend bag is when I want to take everything with me. The walking weight of the bag on a long hike doesn’t factor in for me. Due to (a) I don’t do long hikes and (b) my mirrorless system isn’t too heavy.
My Day Bag
The Lowepro Tahoe BP150 is my day bag. The Tahoe is my go-to if I am heading out for the day to chase waterfalls, autumn leaves, or wildlife (at the zoo). It’s light, comfortable on the back and holds my camera, a spare battery, a cleaning kit, and a second l ns. I can even remove one divider and tuck in some lunch.
I can tuck a water bottle in one side pocket and my tripod through the other. It also takes my keys in a secure clip and phone. It does take a tablet, but as a day bag, I don’t take that with me – it’s an excellent sleeve for extra stuff, though – when fungi hunting the other weekend, I popped a small reflector folded into its cover in here. You can also pop some protein bars in there to keep you going.
It’s a great day bag and is perfect for when I only need the camera, two lenses and lunch.
My Weekend/Trip Bag
The Peak Design Everyday Backpack gets packed when heading off for a weekend or week away. At 30L, it is still carry-on approved for flights. I have even placed it under the seat for short flights. It also holds an impressive amount o gear. My Olympus E-M1 Mark II with 12-100 attached, the 40-150 zoom, plus 7-14 wide and 60mm macro, all fit in the inside dividers nicely. One internal side pocket holds four batteries, pens, and cables. The other internal side pocket takes all my filters. The outside pockets fit a water bottle in one, and I can strap the tripod to the other side.
A zip in the top has a designated floating laptop section and an iPad section. Floating as the laptop/iPad isn’t sited at the bottom of the insert when you put the bag on the floor. Thus they have a buffer from hitting the floor. The fabric is also totally waterproof with waterproof zips, so no rain cover is required.
The little details
I love the magnetic latch to access the top quickly, and like that, there are no cumbersome waist straps, but there are lots of little hidden straps to attach things to… like your jacket if you take it off. It has a sternum strap that tucks invisibly away when not in use. It’s a clean ‘classy’ looking bag and doesn’t scream ‘camera bag’. I also love that there are three leather handles. This makes it easy to grab the bag from whatever side is facing forward (excellent in an overhead locker)
While it’s a sturdy, well-made, and very roomy bag, it’s also one of the more expensive bags on the market. However, IMHO is worth every cent, and despite the price tag, it is not one of my regretted purchases.
Photography gear and travelling light?? Yes, it sounds like a dream.. it is possible… kind of, sort of, depending….. confused? Bear with me.
Travelling in 2008
Back in 2008, travelling, with ‘gear’ for me, was a small digital Panasonic Lumix that just popped into my handbag. My ‘flight’ luggage was a carry-on compatible suitcase with clothes. I prided myself on always travelling light.
Two Years Later
Then in 2010, I bought a Canon 450D with a twin lens kit, and everything changed. The camera and two lenses went into a backpack, along with filters, spare batteries, and battery chargers. This became my carry-on. Clothing now went in a medium suitcase as it had to also fit the length of the tripod in, and it had to be checked in due to size and the fact that my camera gear was now my carry-on. This still worked reasonably well until 2012. Up until then, coming in under the 7kg limit for carry-on wasn’t a big issue. Camera gear weighed about 5kg, and I hadn’t started including a laptop as part of my gear, so I had enough left over for an iPad, phone, handbag, etc. (yes, if you travel budget airlines, they do weigh the handbag as well if the plane is full).
Travelling in 2012
In 2012 I upgraded to a Canon 7D M1 with a 24-70 lens. Travelling with gear became a major headache of not exceeding the limit. The Canon 450D weighed 475g without lenses. The Canon 7D M1 weighed 1.467g body only, and the 24-70 lens was 950g. Almost a full kg heavier just on the body alone! Add the zoom lens, sometimes the macro. The 7kg carry on limit has now become a significant issue. There was no way I could meet it with what I wanted to take, a camera, plus two lenses (70-300 and 24-70) plus filters, batteries, battery charger, and remote. Add the weight of the actual bag. It became a ‘smuggling’ mission to get on board.
Staying Under Cabin Limit
I always wore clothes with heaps of pockets that were full! So with the camera’s weight around the neck a significant issue, I bought a Peak Design Slide Strap. Excellent strap and is so much more comfortable than the horrible neck straps that come branded with the cameras. (For the huge amount of money good cameras cost, you think they would be able to provide you with a decent neck strap, no, it seems too much to expect).
Fast Forward to 2016
In 2016, I bought into the full-frame is better for the low-light school of thought. Consequently, I moved from the 7DM1 to Canon 6D Mark1 with 24-105L. Again a drop in weight down to 770g, with the 24-105L at 670g, I was saving 697g on the camera body – not earth-shattering, but a bit better.
It’s 2016, and I again upgraded to the Canon 7D MII with 24-105. The camera body was 1,388g – again. heavier (what was I thinking?), then I added the Canon 100-400 M1 with a weight of 1.365g. Add the fact I now took a laptop to download my images, plus a portable hard drive to back them up to, it was impossible to travel with gear, plus a laptop, iPad, etc. and come in under the 7kg carry-on allowance. Coming home on a flight from NZ once, I saw them weighing handbags, so we quickly left the queue, went to the toilets, and the iPad went down the front of my pants, the phone went into the back pocket, batteries came out of carry on and went into yet more pockets….aghhh!
2017 and something’s got to give
In 2017 on a trip to Qld, I risked putting the 100-400L into the checked luggage.. well cuddled in bubble wrap, inside a padded bag, in the middle of the suitcase, surrounded by clothes. Opening that suitcase on arrival was nerve-wracking.. would I find smashed glass? Thankfully it arrived there and back ok, but it wasn’t something I wanted to repeat. I looked into Pelican cases that could be checked in, and the gear was safe.. but I didn’t like letting it out of my sight, so that thought was discarded.
The Decision is Made
Crunch time came on another trip to Qld. Walking around Seaworld all day with the 7D M2 plus the big 100-400L, we had 2.5kg around over the shoulder, plus handbags, in 35C heat, and we were hot, grumpy and exhausted. By the end of the day, that camera and lens over the shoulder seemed to weigh comparable to a cannonball. We went back to our hotel, showered, sat on the balcony with a chilled bottle of wine.. and planned our next ‘system’. Cause we were going home and selling those cannons, Canons!
Mirrorless Options
I looked at Sony, as I could use my current lenses, but the weight saving using the adapter to take the canon lens.. and then the lens.. was so negligible to not be worth it. It seemed like I was going to change over; it made more sense to do it completely, complete with the new camera body and native lenses. I also wanted a camera that still looked like an SLR with a good grip. Call me shallow, but if I was paying a couple of thousand for a camera, I didn’t want it looking like a simple point-and-shoot. I also looked at Panasonic and the Fuji (and this was before their latest releases), but Olympus kept coming up with better specs and looked the way to go.
Olympus
Looking at the Olympus OM-D E-M1 MarkII, I liked the ergonomics; the 5-way stabilisation, 18 plus fps, was weather-sealed and freeze-proof (and with a trip to Norway coming up, a significant factor). The battery life was also better than the sony, and the pro lenses to go with it are of fantastic quality. It has a fully transitional back LED, built-in WiFi, Automatic focus stacking, auto HDR, love the live comp for night shooting, plus loads of other features… and at only 530g, it was a winner. The lenses are also light, and I added the 12-40 F2.8 Pro, 80-140 F2.8 pro with 1.4 converters, 7-14 F2.8 Pro, and the 60mm F2.8 Macro. Being a micro four-thirds system, you double the focal length to equal the full frame.. so I have basically from 14mm to 392mm (when I add the converter to the 80-140)
Any mirrorless will save you loads of weight. But, of course, the system you choose will depend on your shooting style. For myself, I do landscapes and wildlife, so Olympus is perfect for me. Sony mirrorless is probably the way to go if you are sold on full-frame. But I’m not. My image quality going from full-frame (Canon 6D) to crop (Canon 7D MI and MII) to Mirrorless Micro four-thirds (Olympus OM-D E-M1 MarkII), in my opinion, has not degraded at all. Of course, I expect it not to perform as well at ISO above 3200, but I never shoot that high anyway, so it’s a non-issue, and I prefer a long exposure over a high ISO.
The final analysis
My crop-sensor kit weight was around 10kg .. the micro four-thirds is just 5kg. So adding the weight of the bag and the laptop, I can now make the 7kg carry-on. So yes, it is possible to travel pack photography gear and travelling ‘Light’. But not if you use a high-end crop sensor or full-frame DSLR. And my clothing still goes in checked luggage.