Tag:colour

Paris streets, France

Street Photography: Capturing the Heart of the City

Street photography is a genre that uniquely freezes moments of raw, unscripted human interaction and urban landscapes. It has a rich history and an enduring appeal. The allure lies in its ability to capture the essence of everyday life in public spaces. Photographers are drawn to street photography for various reasons, including the desire to document reality, express creativity, engage in social observation, and explore the dynamic relationship between people and their environments. In this post, we’ll delve into these motivations, highlighting street photography’s significance and multifaceted nature.

Documentation of Reality

One of the primary reasons people engage in street photography is the desire to document reality. Street photographers often see themselves as visual historians, capturing the essence of a particular time and place. Through their lenses, they document societal changes, cultural shifts, and the nuances of everyday life, thereby creating a valuable historical record that provides future generations a glimpse into the past.

Beeryhaus, Munich, Germany
Perusing the menu, Munich, Germany

Street photography’s ability to capture unposed, candid moments makes it a powerful tool for documenting reality. Unlike staged or studio photography, street photography reflects genuine human experiences and interactions. This authenticity resonates with both photographers and viewers, creating a sense of connection to the captured moments.

Creative Expression

Street photography also serves as a medium for creative expression. Photographers are drawn to the genre because it allows them to explore their artistic vision in a dynamic and unpredictable environment. The streets offer opportunities, from bustling markets and serene parks to architectural marvels and fleeting moments of human interaction. This diversity gives photographers a rich canvas for experimenting with composition, lighting, and perspective.

The spontaneous nature of street photography challenges photographers to think on their feet and adapt to ever-changing conditions. This spontaneity fosters creativity, pushing photographers to find unique angles and capture moments others might overlook. Street photography encourages photographers to see beauty in the mundane and tell compelling stories through images.

Newspaper seller, Paris, France Street photography
Newspaper seller, Paris, France
Social Observation

Street photography is inherently linked to social observation. Photographers are often motivated by a desire to understand and document the human condition. By capturing candid moments in public spaces, they gain insights into the behaviours, emotions, and interactions of people from diverse backgrounds. This observational aspect of street photography can be both enlightening and thought-provoking.

Protest march during Covid lockdowns, Melbourne
Protest march during Covid lockdowns, Melbourne

Through their work, street photographers can illuminate social issues, highlight cultural diversity, and challenge societal norms. Their images can serve as a powerful commentary on the world around them, spark conversations, and raise awareness about important topics. Street photography’s ability to capture the essence of humanity makes it a valuable tool for social observation and storytelling.

Exploration of Human-Environment Interaction

Another reason people are drawn to street photography is the opportunity to explore the dynamic relationship between people and their environments. Urban spaces constantly evolve, shaped by individual interactions and the built environment. Street photographers are fascinated by this interplay and seek to capture how people navigate, interact with, and transform their surroundings.

Brasserie, Paris, France
Brasserie, Paris, France

Street photography allows photographers to highlight the contrasts and connections between people and their environments. They can capture the juxtaposition of old and new, the interaction between nature and urbanisation and how individuals adapt to and shape their surroundings. This exploration of human-environment interaction adds depth and context to their images, making them more compelling and meaningful.

Personal Fulfillment and Connection

For many street photographers, the practice is not just a hobby but a source of personal fulfilment and connection. Wandering through the streets, observing life, and capturing moments can be a deeply meditative and rewarding experience. Street photography encourages photographers to be present in the moment, observe their surroundings keenly, and appreciate everyday life’s beauty.

Street photography provides personal fulfilment and fosters a sense of connection. Photographers share their work with a broader audience and create a community of like-minded individuals. Whether through social media platforms, photography exhibitions, or street photography groups, these connections enhance the experience and motivate people to pursue street photography.

Black and White or Colour?
Streets of London

Choosing between black-and-white or colour for street photography depends on several factors, such as personal preference, the mood you want to convey, and the specific characteristics of the scene.

Black and White:
  1. Timelessness: Black and white photography has a classic, timeless quality that can make your images feel more enduring.
  2. Focus on Composition: Without colour, the emphasis shifts to shapes, lines, textures, and contrast, enhancing the composition.
  3. Mood and Emotion: Black and white can evoke a strong emotional response. It can highlight a scene’s mood, making it more dramatic or poignant.
  4. Simplicity: It can simplify a busy scene, stripping away distractions and drawing attention to the subject.
Colour:
  1. Realism: Color captures the world as we see it, providing a more realistic representation of the scene.
  2. Mood and Atmosphere: Colors can convey different moods and atmospheres, from the warmth of a sunset to the vibrancy of a bustling market.
  3. Details and Layers: Color can add depth and layers to an image. It can highlight details that might be lost in black and white.
  4. Storytelling: Color can be a crucial element in storytelling, where certain hues may carry cultural, social, or personal significance.
Oxford Circus Station, rush hour, London Street photography
Oxford Circus Station, rush hour, London
Factors to Consider:
  • Scene Characteristics: Some scenes naturally lend themselves to one style over the other. High-contrast scenes with strong light and shadows might work better in black and white, while scenes with rich, vibrant colours might be best captured in colour.
  • Personal Style: Your artistic vision and style play a significant role. Some photographers prefer the aesthetic of black and white, while others are drawn to the dynamism of colour.
  • Subject Matter: The subject can also influence the choice. For example, street portraits might benefit from the emotional impact of black and white. Meanwhile, urban landscapes might come alive with the colours of the city.

Ultimately, the choice between black and white or colour for street photography is a creative decision that can significantly affect the impact of your images. Experiment with both to see which resonates more with your vision and the story you want to tell.

Challenge and Skill Development

Street photography presents unique challenges that attract photographers seeking to hone their skills. The genre requires a combination of technical proficiency, quick thinking, and an ability to anticipate and react to fleeting moments. Photographers must master their equipment, understand light and composition, and develop a keen sense of timing.

The unpredictable nature of street photography pushes photographers out of their comfort zones and encourages continuous learning and improvement. Each outing presents new challenges and opportunities for growth, whether it’s capturing a decisive moment, dealing with changing light conditions or navigating crowded streets. This constant challenge keeps photographers engaged and motivated to refine their craft.

Tramlines, Munich, Germany Street photography
Tramlines, Munich, Germany

People engage in street photography for many reasons, from documenting reality and expressing creativity to engaging in social observation and exploring human-environment interactions. The genre’s unique appeal lies in its ability to capture authentic, unscripted moments reflecting everyday life’s essence. Street photography offers a rich and diverse canvas for photographers to explore their artistic vision, connect with others, and gain insights into the human condition.

The motivations behind street photography are as varied as the images it produces. For some, it is a way to document the world around them and create a historical record. For others, it is a form of creative expression and a means of exploring the relationship between people and their environments. Regardless of the motivation, street photography remains a powerful and enduring genre that continues to captivate and inspire photographers and viewers alike.

Autumn Photography – Capturing the Colour

Autumn Photography in Australia is dramatically different for Australian photographers to those living in the northern hemisphere. While photographers in the Northern Hemisphere have Aspens, Japanese Maple, Poplars, Cottonwoods, Ash, Oaks, and Dogwoods at their back door – we have Eucalypt trees. Green/grey all year round. For an Australian photographer, hunting for autumn colour involves a lot more than stepping out into the nearest forest. It requires research to find ‘English’ gardens and often, a good drive in the car. Pre-covid, when air travel was still possible, it could also include a flight to another state or even timing your overseas holiday for autumn.

arrowtown nz
Arrowtown, NZ
Autumn Locations in Victoria

However, within Victoria, we are lucky to have several fantastic gardens of deciduous trees that create a riot of colour in autumn. Except for Tieve Tara and Cloudehill, all are free to enter.

  • Alfred Nicholas Gardens, Mount Dandenong
  • George Tindale Memorial Garden
  • Cloudehill, Dandenong Ranges
  • RJ Hamer Arboretum
  • Bright and Wandilgong
  • Tieve Tara, Mount Macedon
  • Honour Avenue, Mount Macedon
  • Maroondah Reservoir Park
  • Glenlyon, 20 minutes from Daylesford
  • Valley of Liquidambers, Heathcote
When is the best time to shoot?

In Victoria, the leaves usually don’t turn till mid-April. We need 2-3 cold nights before they start to turn en masse. Time of day-wise, hands down, the best shooting time is during golden hour. The hour before sunrise or sunset will have warmer light, enhancing all the leaves’ reds, yellows, and orange. If it’s overcast with no light coming through, you will need to be a bit more creative with the editing process.

fallen leaves
Carpet of leaves – late april, Bright, Victorian High Country
Lenses

While I mainly shoot autumn in a focal range of 24-70mm – pack the macro when you head out – while a macro of leaves is on the cards, it’s not just leaves that may attract your attention. Tramping through trees at Mount Macedon we came across an exoskeleton of a cicada.

cicada
Settings

I like to keep my ISO low – most of the time, I am shooting around ISO 200 – and never above 400. I find it easier to avoid noise in images to start with – rather than fix it in post. To bring the leaves out and have them pop against a blurred background, I usually shoot between F1.4 to F2.8 – only going up to F9 and above if I am shooting a pano. Shutter speed will always depend on available light – but if it’s going to be longer than I can hold, I pop the camera on the tripod.

Backlighting

Photographing the branches and leaves, backlit by the sun, will bring out the detail/veins on the leaves. Go for a Fstop of higher than F16 to get a sunburst.

backlit leaves
Backlit leaves, late afternoon, Warburton, Vic
sunburst through trees
Sunburst through trees, Tieve Tara, Mid afternoon
Use a circular polariser

A circular polariser is an essential addition to your kit for autumn. It will pump up the colour and contrast of the leaves and the blue sky. A bonus is it will remove the shine off the leaves or ground if it’s been wet. If you decide to shoot leaves floating in water – it will also remove the glare off the water.

Orton Effect

The Orton effect is one I sparingly use – but when I do, it’s for autumn landscapes. Basically, it’s a glow added to your images in post-production. Photographer Michael Orton created it, and he used it in his film photography, layering two images on top of each other. One in focus, one brighter, slightly out of focus. When combined, this created an image that was both sharp yet blurry. While it shouldn’t be used on everything – it can make your autumn shots pop.

I have created a free action for you to download if you would like to try it. It will work on both mac and pc – download, unzip and add to photoshop. It is a zipped file, and you will need to unzip it. If you don’t have an unzip program I suggest using Winrar its easy, safe and free. When you have run the action – adjust the opacity of the layer to your liking.

Mount Wilson, Blue Mountains, mid morning with Orton Effect – before and after
White Balance

While most of us shoot with auto WB, with autumn shots, it’s better to use a slightly warmer WB – around 6000 kelvin. If you don’t want to or don’t remember to change your WB before you shoot – you can adjust it in LR or Photoshop during your editing process. Move the temperature slider to a higher kelvin number. The left (blue) will make your image cooler – to the right (yellow) will warm the image. Be careful not to overdo it – if you shoot jpeg, it’s just a tiny amount – if you shoot raw, I have used anywhere up to 7000 kelvin depending on the image.

white balance

Below is a shot of the Laburnum Steps at Breenhold Gardens, Mount Wilson. RAW, and straight out of the camera, it leaves a lot to be desired. I warmed the WB to 7000k and increased the vibrance +50 and saturation +25

Breenhold Gardens, Mt Wilson, mid morning, before and after a WB adjustment
Look for Subject Seperation
le page homestead
Le Page Homestead, Plenty Gorge, early morning

When you are in among the trees, look to separate your subject from the background. Early morning fog or mist is great for this – otherwise, try a low F stop – around F4 or lower to keep your main subject sharp – but a bit of blur to the background.

Contrast is good

Colour is good… great even – but look for contrasting colours to make the leaves stand out. A green shrub in a sea of yellow and orange or dark tree trunks in among the riot of leaves

bavarian forests
Dark tree trunks, Bavaria

Autumn is a great time to be out with a camera. It’s actually my favourite season. The days are a bit shorter – so sunrise and sunset are at a bit more civilised time, and autumn is known to turn on some amazing sunsets. The weather is still pleasant but not as hot, and we haven’t hit the cold of winter or the rain and wind of spring yet. Add natures glorious colours, and what’s not to love?

© Bevlea Ross