Tag:canberra
Lanyon Homestead is a beautiful, historic rural estate located on the outskirts of Canberra, Australia. It offers a fascinating glimpse into the lives and times of the country’s early settlers. Situated at the foot of the beautiful Brindabella Ranges, about 30 kilometres south of Canberra‘s city centre, the estate features rolling plains and woodlands that create a picturesque backdrop for the homestead, which dates back to the 1830s.
Historical Background
The history and growth of Lanyon Homestead are closely intertwined with the early European settlement in the Australian Capital Territory (ACT). In 1835, James Wright and his partner, John Lanyon, took out a pastoral lease of a large tract of land along the Murrumbidgee River, which was a vital water source in the otherwise arid Australian landscape.
Initially, the property was used for sheep grazing and cattle farming, taking advantage of the fertile plains and the river. By 1841, 59 workers lived on the estate, around half of them convicts. Eventually, John Lanyon returned to England, and James Wright took over the running of the estate. Wright, however, faced numerous challenges, including droughts and financial difficulties. This ultimately led him to sell Lanyon Homestead in the 1840s.
The estate then changed hands several times before it was acquired by the Cunningham family in 1849. The Cunninghams, a prominent pastoralist family, expanded the estate’s operations. They also built additional buildings and developed the homestead into a thriving rural enterprise.
In 1926, the estate was sold to the Osborne family. They, in turn, sold it to the Field family in 1930. The Fields, however, didn’t live at the estate but used it as a holiday home. While the Fields improved the old dairy and machinery, they respected the history of the house and buildings.
Architecture and Layout
Lanyon Homestead’s architecture blends Georgian and Victorian styles, reflecting the preferences of affluent rural homesteads in 19th-century Australia. The main homestead building, constructed in the 1850s, is a single-story house with a low-pitched roof and wide verandas. It also has thick walls designed to keep the interior cool during hot summers. It is built from locally sourced stone and features timber-framed windows, offering views of the surrounding gardens and the river.
One of Lanyon’s standout features is its meticulously maintained gardens, which include a variety of native and introduced plant species. The gardens were an essential part of the estate’s self-sufficiency, providing fresh herbs, vegetables, and flowers for the household.
The estate also includes various outbuildings, such as the woolshed, stables, blacksmith’s shop, and workers’ quarters. These provide a window to the past and illustrate the labour-intensive nature of pastoral life during the 19th century.
Life at Lanyon Homestead
Life at Lanyon Homestead during the 19th and early 20th centuries was centred around agriculture and livestock, mainly sheep farming. The estate produced wool, meat, and other agricultural products essential to the local economy. The river provided irrigation, which was critical for livestock and crop cultivation, allowing the estate to thrive even in challenging conditions.
The homestead was a family residence, but it also functioned as the centre of a small rural community. The Cunninghams employed many workers, including shepherds, stockmen, blacksmiths, and domestic staff, who lived on or near the property. The workers’ quarters, some of which have been preserved, highlight the contrast between the lives of the estate owners and those of the workers. While the Cunninghams enjoyed a degree of comfort and refinement inside the homestead, the workers faced a more rugged and physically demanding lifestyle.
The social life at Lanyon Homestead reflected its time. The family hosted gatherings, picnics, and social events common in rural communities. The homestead would have also been a place where neighbours gathered to exchange news and celebrate important events.
Lanyon Homestead Today
In the early to mid-1970s, the McMahon and Whitlam Governments withdrew the rural leases for Lanyon, Cuppacumbalong Homestead and Gold Creek Homestead. The Federal Government then compulsorily acquired Lanyon for $3.7m in 1974.
Today, Lanyon Homestead is managed by the ACT Government and is open to the public as a museum and cultural site. It is part of the ACT Historic Places network, which aims to preserve the region’s heritage and cultural history. The homesteads guided tours, exhibitions, and educational programs provide information about the estate’s history and the stories of those who lived there.
Visitors to Lanyon Homestead can take a tour through the original rooms. These have been furnished with period-appropriate furniture and artefacts to recreate the atmosphere of a 19th-century rural home. The preserved interiors provide a glimpse into the Cunningham family’s daily lives and domestic routines. Original furnishings, kitchenware, and personal items are on display. The tours also highlight the challenges and hardships the estate’s residents faced. Isolation, disease bushfires and floods were ever-present threats.
Cultural Significance
Lanyon Homestead is a well-preserved example of a 19th-century rural estate and an important site for understanding the broader history of European settlement in the Canberra region. It provides insights into the pastoral economy that dominated Australia’s rural development and the complex interaction between settlers and the Indigenous Ngunnawal people, who have lived there for thousands of years.
In recent years, efforts have been made to recognise and incorporate the region’s Indigenous history into the homestead’s narrative. This includes acknowledging the land’s traditional custodians and highlighting the Murrumbidgee River’s cultural and spiritual significance to the Ngunnawal people. By doing so, the homestead serves as a place of reflection and education, encouraging visitors to consider both the achievements and the darker aspects of Australia’s colonial past.
Nestled in the scenic Gold Creek Village, Canberra’s Walk-In Aviary is a spot that’s perfect for nature lovers and bird fans. Located in Nicholls, ACT, this aviary is a must-see if you want to get up close and personal with a bunch of different bird species in a beautiful, natural setting. With over 600 birds from more than 60 species, you’ll find everything from colourful parrots to graceful finches.
A Unique Immersive Experience
Canberra’s Walk-In Aviary’s immersive design sets it apart from other bird sanctuaries. Rather than viewing birds from behind enclosures, visitors are invited to enter the aviary, creating an intimate and interactive experience. As you walk through the large, open space, birds fly freely around you, often perching on branches or landing on you to feed from your hand.
As soon as you step into the aviary, you’ll be given a small dish of delicious bird food—usually a mix of seeds, fruits, and even mealworms! This tasty treat encourages the birds to come up close and personal. Many of these feathered friends are quite comfortable around people and will happily nibble from your dish or even your hand. It’s a fantastic chance to snap some amazing photos as colourful parrots, lorikeets, and other lovely birds gently land on your arm or shoulder. Enjoy the experience!
A Diverse Range of Birdlife
One of the most appealing aspects of the Canberra Walk-In Aviary is the diversity of bird species that inhabit it. With over 60 species from Australia, Asia, and beyond, visitors have the opportunity to see a wide range of birds. Some of the most notable residents are:
- Rainbow Lorikeets: Known for their striking, multi-coloured plumage, rainbow lorikeets are a favourite among visitors. These playful and curious birds love to interact with guests, often flocking around those carrying food dishes. Their vibrant colours and cheeky personalities make them a highlight of any visit.
- King Parrots: Native to Australia, these birds are known for their bright red and green feathers. The males boast a brilliant red head and breast, while the females display a more subdued green. King parrots are often shy but can be lured out with patience and a food offering.
- Zebra Finches: With their delicate size and intricate patterns, zebra finches add a charming touch to the aviary’s landscape. These small birds can often be seen flitting between the foliage or resting on low branches. Their cheerful, melodic chirps create a serene backdrop to the aviary experience.
- Eclectus Parrots: Another standout species, Eclectus parrots are known for their dramatic sexual dimorphism. Males are a vivid green, while females are strikingly red and blue. These parrots are known for their intelligence and can be seen exploring the aviary with keen curiosity.
In addition to the popular species, the aviary is home to a delightful variety of doves, cockatiels, budgerigars, and even some exotic birds! For bird lovers, spending time here to watch and learn about all these amazing creatures in their natural habitat is truly a rewarding experience.
The Aviary’s Tranquil Environment
Canberra’s Walk-In Aviary is designed to mimic a natural habitat with lush vegetation. It has cascading water features and strategically placed perches and feeding stations. The environment is beautiful and provides the birds with plenty of places to rest, explore, and hide if they desire more privacy.
Walking through the aviary feels like stepping into a green oasis. The tall trees provide shade, while the smaller shrubs make perfect little hideouts for the birds. You can hear the leaves rustling, birds chirping, and the soft sound of water trickling from the fountains—it all adds up to a really chill vibe. It’s a great spot to kick back and enjoy nature.
The aviary is also carefully maintained to ensure the well-being of its avian residents. It’s kept clean, and the birds can access fresh water and a diet that meets their needs. This attention to detail ensures that the birds remain healthy and active, providing visitors with a lively and engaging experience.
Practical Information for Visitors
If you’re planning a visit to Canberra’s Walk-In Aviary, there are a few things to remember to ensure a smooth and enjoyable experience. The aviary is open daily, typically from 10 AM to 4 PM. However, it’s always a good idea to check their website or call ahead in case of special events or closures. Admission fees are reasonable and help support the care and maintenance of the birds and their habitat.
Wear comfortable shoes, as you’ll be walking on natural terrain. Consider bringing a hat and sunscreen during the warmer months, as parts of the aviary are open to the sun. It’s also worth noting that while the birds are friendly, it’s best to approach them calmly and gently to avoid startling them.
Many visitors love spending an hour or two in the aviary. It’s a wonderful chance to explore, feed the birds, and soak in the peaceful atmosphere. Plus, you’ll find several cosy cafes and shops just a short stroll away in Gold Creek Village. It’s the perfect spot to enjoy a leisurely lunch or do some local shopping after your visit!
Located at 18 – 26 O’Hanlon Place, Gold Creek Village
Nicholls ACT 2913
Entry:
Children 4-16 $13
Adults $18
Concession and seniors $16
The Australian War Memorial (AWM) is a significant landmark in the heart of the Australian capital, Canberra. It serves as a shrine, museum, and archive, preserving the memory of the Australians who lost their lives in war or on active duty, as well as those who served during times of conflict. The Memorial’s core mission is to promote a better understanding of Australia’s wartime experience and to facilitate remembrance of the sacrifices made by the country’s brave servicemen and women.
The Great War
The loss of life in the First World War was catastrophic. From a population of fewer than five million, 60,000 Australians were killed, and 156,000 were wounded, gassed, or taken prisoner. The unimaginable scale of loss led to the creation of memorials across the country as a new way to express national grief. Shocked by the scale of death, historian and offical war correspondent Charles Bean proposed and advocated for a national memorial.
Charles Bean
Charles Bean was born in Bathurst, New South Wales on November 18, 1879. When he was ten, his family relocated to England, where he completed his education. Later, he returned to Australia and pursued a career in journalism. In 1914, the Journalists’ Association chose him as an official war correspondent.
Gallipoli
Bean arrived at Anzac Cove in Gallipoli at 10 a.m. on April 25, 1915, five and a half hours after the initial landing. Two weeks later, he joined two Australian brigades in a costly and failed attack at Cape Helles. For his assistance to the wounded soldiers under fire on the night of May 8, he was recommended for the Military Cross. However, as a civilian, he was not eligible for the award and was only mentioned in the dispatches. He was the only correspondent who stayed in Gallipoli from April to December.
On August 6, Bean was wounded in his right leg. Refusing to be taken off to a hospital ship, he hobbled to his dugout. Laying there and having the wound dressed daily until August 24, when he was well enough to again and observe the fighting. In 1916-18, Bean was in France to observe every engagement of the A.I.F. On his return to Australia he supervised the development of the 12-volume Official History of Australia in the War of 1914-1918. He also authored six volumes, finishing the final one in 1942.
A Legacy of Remembrance
On November 11, 1941, the Australian War Memorial was opened during World War II, on what is now known as Remembrance Day. This date holds immense importance as it marks the end of World War I, which significantly impacted Australia. Established to honour and preserve the memory of all Australians who have served in wars and conflicts, it acknowledges their sacrifices and ensures that their stories are remembered for generations to come.
John Treloar, who was from Melbourne, also landed on Gallipoli on April 25, 1915. Treloar was instrumental in making Bean’s vision a reality. In 1917, he became the head of the newly established Australian War Records Section (AWRS) in London. He was responsible for collecting records and relics for the future museum and assisting the official historian. Following the war, Treloar dedicated his life to the memorial, influencing almost every aspect of its development. He was appointed Director of the Memorial in 1920. Treloar held the position until his passing in 1952, except for a brief period during the Second World War when he was in charge of the Military History and Information Section (MHIS).
the Western Front
On July 19, 1916, the Australian Imperial Force (AIF) launched their first major attack on the Western Front in Fromelles, northern France. 7,000 Australian soldiers charged across open ground in broad daylight under heavy fire and direct observation from the German lines. By the next day, over 5,500 were wounded, and nearly 1,900 lay dead. These horrendous statistics made it the most devastating 24 hours in Australia’s history. In the following days, three Australian Divisions continued to attack German positions at Pozières. This resulted in an additional 23,000 casualties over six weeks.
‘The field of Pozières is more consecrated by Australian fighting and more hallowed by Australian blood than any field which has ever existed.
Charles Bean
Architectural marvel
The memorial’s design balanced the desire for an impressive monument to honour the fallen soldiers and a budget of only £250,000. In 1927, an architectural competition was held, but none of the designs submitted were satisfactory. However, two entrants, Emil Sodersteen and John Crust, were encouraged to combine their designs. Sodersteen’s vision for the building and Crust’s idea of cloisters to house the Roll of Honour with over 60,000 names were incorporated into the joint design. This was ultimately accepted, and the joint design serves as the foundation of the building we see today.
In the middle of the memorial site is a Commemorative Area surrounded by arched cloisters. Bronze panels hold the Roll of Honour, listing the names of those who have lost their lives. Beyond the cloisters stands the impressive Hall of Memory at the edge of the Pool of Reflection. The interior wall and dome of the hall are covered in a mosaic of six million pieces. Stunning stained-glass windows also line the walls. Within the Hall of Memory lies the Tomb of the Unknown Australian Soldier.
Redevelopment
The Australian War Memorial received funding approval for a development project in 2018. The goal of the Memorial’s redevelopment is to acknowledge the service of our country’s veterans, both now and in the future. The project involves constructing a new southern entrance, a new Anzac Hall, and fitting out new galleries in the main building, which will create additional exhibition spaces. A new research center and reading room have been included in an extension to the CEW Bean Building. Parade Ground and landscaping works have also been carried out to accommodate increased attendance at events.
According to the Australian War Memorial’s website, the proposed development project is estimated to cost $498 million. However, the final cost of the project could be up to $527 million due to additional costs such as inflation, unforeseen circumstances, and additional work. The sandstone building’s iconic façade housing the Roll of Honour, Pool of Reflection, and Hall of Memory will remain unchanged.
Education and Commemoration
The AWM plays a crucial role in educating visitors about the country’s military history and the impact of war on humanity. This museum boasts an impressive collection of artifacts. Item such as weapons, uniforms, diaries, and photographs, offer valuable insights into Australian service personnel’s lives. Through its permanent and temporary exhibitions, the memorial delves into different aspects of Australia’s involvement in conflicts. These reveal the bravery, perseverance, and selflessness of those who served.
Significantly, the Australian War Memorial is also a historical landmark and a place for commemorative ceremonies. These ceremonies are held on important days such as Anzac Day and Remembrance Day. The Last Post ceremony is held every day at the memorial. The poignant tribute allows visitors to reflect on the personal stories of the fallen soldiers.
sculptural monument
The AWM houses a series called “As of Today” by Alex Seton. It is a sculptural tribute to Australian soldiers who were killed while serving in Afghanistan. The series particularly emphasizes the ceremonial folded flag that is draped over the casket during the military funeral and then presented to the fallen soldier’s family.
Each of the forty three flags are sculpted in Australian marble and represents a specific individual and a life lost. The name and details of the individual on a card in front of the flag.
Sacred Site
The Australian War Memorial is much more than a museum. It is a revered site representing remembrance of the sacrifices made by Australians during times of war. With its stunning architecture, educational initiatives, and commemorative events, it plays a crucial role in Australian society ensuring that past sacrifices are never forgotten. Additionally, it fosters a deeper understanding of the nation’s history and emphasises the importance of peace.
Exploring zoos has been a passion of mine, and I always make a point to visit a zoo when I visit a new Australian city. While Taronga Zoo was excellent, Adelaide Zoo disappointed me. Melbourne Zoo, Werribee Zoo, and Healesville Sanctuary were enjoyable and provided memorable experiences. However, the National Zoo and Aquarium at Canberra (NZA) blew me away with its exceptional enclosures. I can safely say that it is now my all-time favourite zoo.
The Aquarium
The National Aquarium, now known as the National Zoo and Aquarium, was established in 1990. At that time, around 30 different species were housed in the aquarium along with a large restaurant and a function area. The main attraction of the aquarium was a huge 1.5 million litre aquarium that featured an underwater viewing tunnel. This aquarium, produced by a local Canberra company was touted as the first of its kind in the world.
The aquarium occupied approximately 7 hectares of land and had multiple outdoor ponds and streams for trout farming. However, the aquarium faced financial difficulties, and some of its major exhibits were problematic. Within three years of its opening, the aquarium was sold to a new operator.
New Owners
In 1998, the facility was again up for sale and purchased by the Tindale family. Richard Tindale was a successful local businessman who had a passion for animals. He had travelled to Africa on multiple occasions and was interested in establishing a conservation breeding centre for big cats. Coincidentally, the wildlife park was put up for sale around the same time. His interest in animals at the time, along with several of his children. This prompted Richard to buy the facility in mid-1998. Initially, the Tindale family struggled to be accepted into the zoo arena, having had minimal background with zoo animals.
Renovations
Over the course of the following two years, they diligently worked on repairing and replacing numerous parts of the existing facility and enclosures. Unfortunately these had been poorly maintained for several years. During this time, they discovered that the primary attraction of the facility, the 1 million litre walk-through aquarium, had to be permanently closed down due to the presence of concrete cancer in the walls of the aquarium.
In 1999, the first significant enclosure was completed. This enclosure housed 3 Brown Bears that had to be re-homed after living for years in a private collection. In 2000, construction began on several big cat enclosures to house some retired circus lions, leopards, tigers and a pair of tigons (a cross between a lion and a tiger). By 2001, the wildlife park was in full swing, at one stage having 14 new exhibits under construction. These would, when completed, house more big cats, native animals, a variety of primate species. New enclosures were also underway for large ungulates such as zebra, antelope and giraffe. The wildlife park changed its name to the “National Zoo & Aquarium” upon completion.
Bushfires Threaten
Between 2001 and 2003, the zoo battled Canberra’s bushfires on two separate occasions. The once-established pine forest surrounding the zoo was also turned to cinders. It was suggested that the zoo should potentially expand into adjoining land. Over the next five years, the zoo continued to develop, negotiate, and design a potential future expansion.
This phase of the facility lasted around five years. During this period, the new operator added several outdoor exhibits, mainly of native wildlife. The large aquarium was converted from saltwater to freshwater to reduce costs. The overall theme of the facility changed in an attempt to meet the demands of a large Asian tourist market. It offered an “Australian” experience incorporating the wildlife park aspects and other activities such as fly fishing in the trout ponds, sheep shearing and boomerang throwing demonstrations.
Immersive Habitats
The zoo is known for its exceptional effort to provide a natural habitat for animals that closely resembles their native environment. As you explore the zoo, you’ll come across a wide variety of ecosystems, ranging from lush rainforests to arid deserts. The leopard enclosure boasts cascading waterfalls and lush greenery, while the tiger enclosure has viewpoints from multiple sides, a large lake, and an overhead walkway. The enclosures are designed with minimal wire and instead have glass, moats, or overhead paths, giving visitors a sense of openness. These enclosures are created to ensure the animals’ well-being and provide visitors with a chance to observe them up close in a natural setting.
The African lions, which include white lions, can be seen basking in the sun, separated from visitors by a low fence and deep ravine. Across another low fence, cheetahs can be seen snoozing on green lawns. Visitors can also watch squirrel monkeys play on their island next to the café. One of the zoo’s main attractions is its impressive collection of Australian wildlife, featuring kangaroos, koalas, and wombats. These iconic animals provide a unique opportunity for visitors to learn about Australia’s indigenous fauna.
Educational Opportunities:
NZA serves not only as an entertainment destination but also as a center for education and conservation efforts. The zoo provides informative presentations and guided tours that enable visitors to gain knowledge about the animals, their natural habitats, and the significance of wildlife conservation.
Conservation Initiatives:
The zoo is dedicated to conservation efforts within and in the wild. They participate in various breeding programs to help endangered species recover and contribute to global conservation initiatives. By visiting the zoo, you not only support these vital conservation projects but also gain a deeper understanding of the challenges faced by wildlife today.
Visiting Information:
Location: The NZA is conveniently located within easy reach of the city centre, making it a perfect day trip for visitors and locals.
Opening Hours: The zoo is open year-round, with seasonal variations in hours, so be sure to check the official website for current details.
Tickets: Admission prices vary depending on age, and discounted rates are often available for families and groups. Annual memberships are also available for those who plan to visit regularly.
Accessibility: NZA strives to be accessible to all visitors, with facilities for people with disabilities as well as many ramps instead of stairs.
The National Zoo and Aquarium is more than just a place to see animals; it’s a place to connect with the natural world. Whether you’re a nature enthusiast, or simply looking for a fun day out, the Zoo offers a memorable experience. So, plan your visit today and embark on a journey of discovery at this remarkable zoological park.
GENERAL ENTRY
Children 3-17 years (or enrolled secondary student) $32
Tertiary Students with student card $48
Seniors Card/Pension Card Holders $48
Adults $55
Family – 2 adults and up to 3 Children $152
Canberra – The National Capital was not a place that was on my radar to visit. A boring political city, I thought. Not a ‘real’ city that evolved organically, I thought. One that was planned and built just for governing Australia (I thought). I was wrong.
Encouraged by the allure of the Canberra Balloon Spectacular, visit I did. And fell in love with a beautiful city of wide avenues and stunning buildings. Filled with friendly people, a bustling modern city of dining and shops. Canberra – the national capital, is indeed not only worthy of a visit, but I actually plan on returning.
The history stuff…
Following Federation in 1901, the hunt was on for a national capital. Melbourne and Sydney both vied for the honour with fierce rivalry pushing both their cases forward. To solve this dilemma between the two cities, a compromise was written into the Australian Consitution. According to Section 125 of the Australian Constitution, the National Capital had to be no less than 160km (100 miles) from Sydney, but not in Sydney.
Thus the hunt for a location began. Canberra was chosen in 1909, legislated in 1911, and named as the capital of Australia on 12 March 1913.
An international design competition was launched and received 137 entries. Chicago born Walter Burley Griffin and his wife Marion Mahony Griffin’s entry was chosen as the winner. Their plans featured an artificial lake at the heart of the city with a parliamentary triangle. Perched on a hill, atop of parliament house, the huge flagpole bearing the Australian flag can be seen from just about anywhere in the city.
Accommodation
We were in Canberra for 5 nights, staying at Alivio Tourist Park.
The accommodation was clean and comfortable. Alivio was also very handy to everything (it seems like everything in Canberra is only 10-15 mins point to point). We booked the two-bedroom Grevillia cabin, and it came with linen supplied. We had, however, no electric blankets on the beds, and the heating never really warmed the cabin on the cool evenings. As Canberra gets very cold in winter, it’s definitely not a place I would stay at during the colder months.
We had arrived armed with a list of photographic locations we wanted to cover and started ticking them off on our first day. Starting with balloons for sunrise at Lake Burley Griffin, then time out for breakfast in the cafe at the National Library. From the library, we took a drive over to the National Museum and Old Parliament House (now the Democracy Museum)
Architecture
Canberra is full of impressive, stunning buildings. While it’s definitely modern, it also a classical, stately feel to it, with impressive staircases and columns and an abundance of fountains and sculptures.
High on our list of places to shoot was the Ovolo Nishi, with its famous entrance. Playing it smart timewise, we combined this with lunch in their restaurant.
After lunch, we scouted out our locations for the next day. We had to be at Questacon for our balloon ride by 5.45 am the next morning. Looking for it in the dark was not our idea of fun. So we located it and planned our parking for the morning. We then followed this up with some shopping. Weary and footsore, we then headed back to the cabin for some downtime.
Balloons Aloft
Day Two was our balloon flight which I covered the Balloon Spectacular post. Suffice to say, if you have never taken a hot air balloon flight, do so. Stat. It’s a fantastic experience.
Following our balloon flight and breakfast, we visited the National Gallery of Australia. The drawcard for me was Fujiko Nakaya’s Foggy wake in a desert – an ecosphere that operates 12.30 – 2pm daily in the outside sculpture garden.
National Gallery Of Australia
As it was almost lunchtime, so we headed for the National Gallery Cafe. The food was fabulous and very reasonably priced. In fact, we enjoyed it so much and found it such good value; we took lunch here for the remainder of our time in Canberra. After lunch, we went upstairs and visited the Picasso and Matisse Exhibition. It needs to be said that that’s an hour of my life I won’t get back. If you have the opportunity to see it, don’t. Run, don’t walk in the other direction. Yes, the paintings are worth a fortune. Yes, most of them look like a group of 4yr old kindergarten kids did it at the kitchen table. I guess I am more of a classical girl.
Before leaving, we checked out Yayoi Kusama’s ‘Spirits Of The Pumpkins Descended Into The Heavens’. This is a bright yellow room, completely covered with black dots. A mirrored box with steps is the highlight of the room, camouflaged by the room around it. And despite my classical leanings, I loved it.
Mount the steps, pop your head in the hole and immerse yourself in a space that is infinite, yet claustrophobic. With the clever use of mirrors the ‘pumpkins’ stretch to infinity.
Australian War Memorial
The last stop of the day was the Australian War Memorial. Built to commemorate the 102,000 Australian men and women who died serving their country, it also honours those who served overseas and at home.
The Pool of Reflection and Flame of Remembrance leads to the towering Hall of Memory and the Tomb of the Unknown Soldier. Stunning stained glass windows flank the tomb, which lies under a high dome mosaic of six million pieces.
Cloisters line each side of the Reflection Pool with a roll of honour of more than 60,000 names.
Our time in Canberra was definitely enjoyable. Not the stuffy, staid city I was expecting. Canberra is also surprisingly affordable. All galleries and buildings we visited are free to enter. Except for the Picasso exhibition, but that’s a memory I would like to forget. The parking is cheap, and on weekends at the galleries and museums, it’s free, unlike Melbourne and Sydney that still charge through the nose for parking at major venues.
The weather was fabulous for most of the time, with sunny blue skies and T-shirt weather. Only one day was wet and windy, but it cleared up again the next day. No sunrises or sunsets, though. I seem to have a sunrise, sunset jinx on me 🙁
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The Canberra Balloon Spectacular takes place each year in early March, with the balloons launching from the lawns of Old Parliament House. Once the balloons are airborne, they fly across Lake Burley Griffin and the surrounding hills.
During the annual Canberra Balloon Spectacular, around 30 giant balloons take to the air each morning at dawn. Over the next nine days of the spectacular, weather permitting, they fly. Some with passengers, some with just a pilot or two. There is, however, no guarantee of them flying every morning, as rain or strong wind can ground them. The balloons fly best in winds of 4-10 kms an hour and will never take to the sky in winds of 18km or more. We were extremely lucky with the weather on our flight. Light winds and sunshine were the order of the day.
The next day, a front came through with rain and high winds, and the balloons were grounded for the next two days.
The first morning, we headed down to Lennox Park on the shores of Lake Burley Griffin. The Balloons were taking off quite near to where we set up, so we were able to photograph them quite close up as they rose over the trees and crossed the lake.
The giant 38.7m Tyrannosaurus Rex balloon was one of the stars of the spectacular – making his first appearance in Australia.
Taking To The Air
This year – when the balloons took flight, I planned to be in one of them. That my booking for my first ever balloon flight happened to fall on Friday 13th did give me pause for thought. However, following my rule of trying something new, each holiday I take, I bit the bullet and booked. Our flight was in the yellow Canberra balloon, piloted by Gary from Balloons Aloft.
The balloons started inflating around 6.30 am, and we were in the air by 7 am. The flight was smooth and totally fantastic. We rose silently (apart from the sound of flame bursts) to a height of approximately 3000 ft. With a multitude of balloons all rising at the same time, it sounded like a flock/herd? of dragons taking flight. In spite of the early morning, it wasn’t cold in the balloon, as you had the whoosh of gas and bursts of flame warming your head, keeping you warm.
Gliding over the landscape, with balloons below and above us, was an unforgettable experience
The flight itself took around 45 mins before landing (reasonably gently) on the lawns of the National Arboretum. From there, we were taken back to the hospitality tents for breakfast put on by the Lions Club (and included in the price of our ticket). Balloons Aloft also supplied everyone with a certificate for the flight as well as champagne for those who wanted it. I did 😉
The whole event totally whetted my appetite to do it again. I loved the flight and cant wait to go up again… now, the question is, where to do it?
Best Spots To Photograph The Balloons
There are lots of great vantage points to see and photograph the balloons; our favourites were:
- By the lake opposite the National Museum. This is one of the first places the balloons reach, and they pass in front of you quite close
- Opposite the new playground/Park area on Barrine Dve (North side of the Lake), again looking over the water to the Museum in the west
- Black Mountain Peninsula – there is a vantage point on the left-hand side. In most instances, the Balloons will head toward you from the Parliament lawns, but it depends on the wind! The downside to this spot is you may end up with the sun rising behind the balloons, but if this is the case, you will get good silhouettes! If they drift more to the south of you, then it’s all good.
Balloon Aloft
We flew with Balloon Aloft, and they were great. Very professional, and really appreciated the hot cooked breakfast at the end of our flight
Ph: 02 6249 8660