Tag:victoria
Tasmanian devils (Sarcophilus harrisii) are iconic carnivorous marsupials native to Tasmania, Australia. Known for their fierce behaviour and unnerving screeches, these intriguing creatures are essential to their ecosystem as scavengers and apex predators.
Physical Characteristics
Tasmanian devils are relatively small, stocky animals known for their robust build. They typically weigh 6 to 8 kilograms (13 to 18 pounds) and measure about 60 centimetres (24 inches) in length, excluding their tails. Their black fur is often marked with white patches on their chest or rump, providing excellent camouflage in dense forest habitats.
One of their most distinctive features is their powerful jaws and sharp teeth, which deliver one of the strongest bite forces relative to body size among mammals. This unique adaptation allows them to crush bones and consume almost every part of a carcass, making them highly efficient scavengers.
The Tasmanian devil got its name from early European settlers who upon hearing mysterious unearthly screams, coughs and growls from the bush decided to investigate further. Finding the dog-like animal with red ears, wide jaws and big sharp teeth led them to call it “The Devil”.
Department of Natural Resources and Environment, Tasmania
Behavior and Diet
Tasmanian devils are nocturnal animals, meaning they are active at night hunting or scavenging for food. During the day, they rest in dens or hollow logs. Their diet mainly consists of carrion, dead animals they come across in their habitat. However, they also hunt live animals, including birds, small mammals, and reptiles.
Tasmanian devils are known for their loud and unsettling vocalisations, such as growls, screams, and snarls when feeding. These sounds intimidate rivals and establish dominance. Despite their aggressive displays, Tasmanian devils are generally solitary creatures that avoid physical confrontations unless they compete for food.
Habitat and Range
Tasmanian devils were once commonly found throughout mainland Australia, but now they are only present in Tasmania, aside from those in zoos. These unique marsupials thrive in various habitats, including forests, grasslands, and coastal scrublands. The island’s relatively low human population density and abundant wildlife create an ideal environment for them.
Reproduction and Life Cycle
Tasmanian devils have a unique reproductive system typical of marsupials. Mating occurs once a year, usually in March. After a gestation period of about 21 days, females give birth to up to 30 tiny, underdeveloped young. The newborns are each about the size of a grain of rice and must crawl into their mother’s pouch to continue their development.
Since females only have four teats, there is intense competition among the young, and only the strongest survive. After about 100 days in the pouch, the surviving young emerge and stay with their mother for several months before becoming independent. Tasmanian devils typically live for 5 to 7 years in the wild.
Conservation Challenges
Early European settlers in Hobart Town viewed Tasmanian devils as a nuisance, often complaining about their poultry yard raids. In 1830, the Van Diemen’s Land Company introduced a bounty scheme to remove devils, Tasmanian tigers and wild dogs from their properties in the northwest. They offered a bounty of 2/6 (25 cents) for male devils and 3/6 (35 cents) for females.
For over a century, Tasmanian devils were trapped and poisoned, leading to a significant decline in their population and putting them at risk of extinction. However, after the law protected them in June 1941, their numbers gradually increased.
In 1996, it was discovered that Tasmanian devils were again under threat, this time from Devil Facial Tumor Disease (DFTD). This contagious cancer spreads through biting, a behaviour commonly occurring during feeding or mating. As a result, the population of Tasmanian devils has dramatically declined.
In response to this crisis, conservationists and researchers have implemented various strategies, including breeding programs and establishing isolated, disease-free populations. They are also working on developing a vaccine to combat DFTD. To help increase their numbers, ongoing efforts have been introduced, such as creating protected reserves and wildlife corridors.
Other threats to Tasmanian devils include habitat destruction, roadkill, and competition from introduced species like feral cats and foxes.
Cultural and Ecological Significance
Tasmanian devils hold a unique position in Australian culture and folklore. They are often depicted as fierce yet lovable creatures, partly due to their portrayal in popular media.
Ecologically, these animals play a crucial role as scavengers, consuming carrion and helping to control the populations of other species. Their disappearance would likely cause imbalances in Tasmania’secosystem, making their conservation essential not only for the survival of their species but also for the health of the broader environment.
Looking Ahead
Despite the challenges, ongoing conservation efforts offer hope for the Tasmanian devil’s survival. Initiatives such as the ” Save the Tasmanian Devil Program” and public awareness campaigns generate essential funds and attention.
Kyabram Fauna Park was founded as a non-profit in 1976 with a few kangaroos and emus; it now serves as a sanctuary for over 400 species of animals available for viewing and interaction. Kyabram Fauna Park is close to central Kyabram and an easy 35-minute drive from Echuca or Shepparton.
Victoria’s Fourth Zoo
In March 2022, Kyabram Fauna Park announced it had received accreditation from the Zoo and Aquarium Association Australasia. Then, in July 2022, the Victorian state government announced Zoos Victoria would take over the management of the fauna park, making it Victoria’s fourth zoo. At 55 hectares, it’s twice as large as Melbourne Zoo and a third larger than Healesville Sanctuary. However, Healesville is better laid out, with much more to see. With regards to size, all of them are still pale in size compared to Werribee Zoo, which boasts 225 hectares (though not all the space is open to the public).
In July, the first sorely needed upgrades in twenty years were completed at Kyabram with a new entry and ticketing area. The new entry includes an upgraded gift shop, toilets, and a cafe with a glass wall overlooking the fauna park’s new meerkat enclosure. The five meerkats, two males and three females, arrived from Taronga Zoo, NSW.
New Reptile House
With funding from the Victorian Government and additional benefactors, a newly constructed reptile house opened. Reptiles on display include pythons, various snakes and frogs. Lizard varieties include frill-neck lizards and forest dragons. The reptile house isn’t overly large. However, the enclosures for each reptile are lush and attractive.
Walk Through Aviary
Kyabram Fauna Park has two walk-through aviaries, one smaller containing king parrots and a second larger one containing bush stone curlews, satin bower birds and banded lapwing, finches, various parrots, doves, pigeon species and budgerigars. Both are good, but my favourite was the larger one with the more extensive variety of birds. It’s a great way to practice bird photography up close without shooting through the wire.
Animals
The other animals in the park include alpine dingoes, flying foxes, echidnas, Tasmanian frogmouths, boobook owls and assorted cockatoos.
Conservation and Improvement Programs
The park has been involved in conservation programs in the area since 1979. Their efforts include planting more than 7000 native trees and plants in the area to encourage wildlife to return. This initiative also saw 35 species of native birds return. The new reptile house is a significant drawcard. However, while enclosures for the Koala, Tasmanian Devil, Echidna and shingle back lizards are up to standard, much more work remains to be done on the older, outdated enclosures.
History Cottage
The park is also home to the cottage French adventurer, navy man, and soldier Theodore Hazleman built in 1867. Before settling in the area, Hazleman sailed the seas as a cabin boy and survived the American Civil War. In Kyabram, he set up as a wheat farmer and fathered 13 children.
Visit Kyabram Fauna Park
The paths around the park are mostly gravel or dirt, so closed-toe shoes are advised.
- 75 Lake Road, Kyabram, Victoria
- Open from 10 am to 5 pm except for Christmas Day and Good Friday.
- Adults are $32, and seniors are $20. Zoo members enter for free.
- Children 4-16 yrs 12.50. Children under 4 are free (from October, all children will be free on Weekends, public holidays and school holidays)
The 1836 Australia Felix Expedition, led by Major Thomas Mitchell, is integral to Australia’s exploration and colonisation history. This expedition, Mitchell’s third significant journey, was notable for discovering and naming “Australia Felix,” a fertile area in western Victoria.
Background and Objectives
Major Thomas Mitchell, a Scottish Surveyor-General of New South Wales, had established himself as a prominent explorer through two earlier expeditions. By the mid-1830s, European settlers in New South Wales were increasingly interested in expanding their grazing lands and discovering new areas suitable for agriculture. Reports about promising territories to the south heightened the need for further exploration.
To address this, Mitchell’s third expedition was authorised with two primary objectives:
1. Investigate the course of the Darling River, which he had partially explored during his second expedition.
2. Explore the lands south of the Murray River to assess their potential for European settlement.
This journey promised to provide vital insights into Australia’s interior and open new frontiers for settlement.
Preparation and Team
Mitchell’s expedition team was meticulously organised and consisted of soldiers, convicts, and Aboriginal guides. The group also included skilled surveyors and draftsmen to map the terrain and hunters and labourers to ensure the journey was well-supplied. They relied on seventy animals, such as horses, oxen, carts, two boats and a boat cart to transport necessary supplies, including provisions, scientific instruments, and weapons.
One of the most notable expedition members was John Piper, a Wiradjuri guide whose knowledge of the land and its resources proved invaluable. Indigenous guides like Piper were essential for navigating Australia’s challenging landscapes.
The Journey
The expedition began in Sydney in March 1836. Mitchell and his team travelled southwest, crossing the Lachlan and Murrumbidgee Rivers before reaching the Murray River. They encountered diverse terrain throughout their journey, including dense forests, open plains, and numerous river crossings. The expedition faced several challenges, such as harsh weather, problematic river fords, and occasional conflicts with local Aboriginal groups.
Crossing into Victoria
Upon crossing the Murray River into what is now Victoria, Mitchell and his team entered a landscape strikingly different from the arid regions they had previously explored. They encountered rolling plains, abundant watercourses, and lush vegetation—a sharp contrast to the harsher environments of New South Wales and central Australia.
Mitchell was deeply impressed by the fertility and beauty of this region. He described it as “a land flowing with milk and honey,” using a Biblical phrase highlighting its agricultural potential. Convinced of its promise for European settlement, Mitchell named the region “Australia Felix,” which is Latin for “Happy Australia” or “Fortunate Australia.”
Further Exploration
The expedition continued westward, travelling through the Wimmera region until it reached the Grampians mountain range. It then continued past Mt Macedon and crossed the Goulburn River at Tallarook before travelling past Nagambie Lagoon, Wharing, Euroa, and Violet Town before returning to Sydney. Mitchell’s detailed observations and maps highlighted the area’s abundant natural resources, including fertile soils, lush grasslands, and ample water supplies. These features made the region ideal for grazing and farming, perfectly aligning with the ambitions of European settlers.
The team’s journey also provided valuable insights into the local flora and fauna. Mitchell documented numerous species of plants and animals, many of which were unfamiliar to European naturalists at the time.
Encounters with Indigenous Peoples
Throughout the expedition, Mitchell and his team encountered various Aboriginal groups who had lived in these lands for tens of thousands of years. These interactions ranged from friendly exchanges to moments of tension and conflict.
Mitchell’s journal reflects a complex and often contradictory perspective on Indigenous Australians. While he occasionally admired their knowledge of the land and resourcefulness, his expedition inevitably disrupted local communities. In some instances, misunderstandings or perceived threats led to violent confrontations, further exacerbating tensions between Europeans and Indigenous peoples.
One of the most controversial incidents took place near the Murray River, where Mitchell’s party clashed with local Barkindjii Aboriginal groups. This violence resulted in seven Barkindji being killed and four wounded. While Mitchell’s writings framed the event as a defensive action, modern interpretations view it as part of a broader resistance pattern against colonisation.
…….It was difficult to come at such enemies hovering in our rear with lynx-eyed vigilance of savages. I succeeded however… Attacked simultaneously by both parties the whole betook themselves to the river, my men pursuing them and shooting as many as they could, numbers were shot swimming across the Murray, and some ever after they had reached the opposite shore as they descended the bank
Major Mitchell’s report
Mitchell named the site of the attack Mount Dispersion. He faced an inquiry in Sydney afterwards but received only a minor reprimand for his actions. On May 27, 2020, the 184th anniversary of the killings, the New South Wales government officially designated Mount Dispersion as an Aboriginal place, granting it legal recognition and protection as a significant site.
Return and Reports
In November 1836, Mitchell and his team returned to Sydney after completing a nearly eight-month journey. His detailed reports and maps vividly illustrated Australia Felix, highlighting its agricultural potential and natural beauty. Mitchell’s accounts were widely published and quickly captured the imagination of settlers eager to expand into new territories.
The discovery of Australia Felix marked a turning point in the colonisation of southeastern Australia. Within a few years, settlers began to move into the region, establishing sheep stations and farms. The area’s rich pastures proved to be ideal for grazing, contributing to the rapid growth of Australia’s wool industry.
Legacy of the Australia Felix Expedition
The Australia Felix expedition is significant in Australian exploration and settlement history. Major Thomas Mitchell is well-known for his role in mapping and documenting the region, but his legacy invites critical reflection.
From a colonial viewpoint, the expedition symbolises success in discovery and progress. Mitchell’s work facilitated the expansion of European settlement and contributed to Australia’s economic growth and development. The region’s fertile lands remain vital to Victoria’s agricultural industry today.
However, the expedition’s impact on Indigenous peoples reveals a darker aspect of colonisation. The displacement, violence, and cultural loss experienced by Aboriginal communities highlight the human cost of European expansion into Australia’s interior.
Conclusion
The Australia Felix expedition is a pivotal moment in Australian history, embodying both the aspirations and consequences of European colonisation. Major Thomas Mitchell’s journey revealed the potential of southeastern Australia’s fertile lands, opening new frontiers for settlement and economic development. Yet, it also marked the beginning of profound and often devastating changes for the region’s Indigenous inhabitants.
Today, the story of Australia Felix reminds us of the complexities of exploration and colonisation. It invites reflection on the achievements and challenges of Australia’s past, fostering a deeper understanding of the nation’s diverse history and its enduring legacies.
Footnote
In 2023, Birdlife Australia renamed the Major Mitchell Cockatoo to ‘Pink Cockatoo’. The name change was made to:
- Remove the association with Thomas Mitchell, who led a massacre of Aboriginal people in 1836
- Make species names more culturally inclusive
- Avoid associating culturally important organisms with violence and murder
further reading
Victoria bursts to life each year with a sea of golden-yellow hues as sunflower season takes centre stage, drawing locals and tourists alike to its stunning, sun-kissed fields. Sunflower season is a much-anticipated event showcasing these towering blooms’ beauty. It’s also a delightful experience to wander through fields filled with these iconic flowers.
When is Sunflower Season in Victoria?
Sunflower season in Victoria typically runs from December through March, although blooming times can vary slightly depending on the region and weather conditions. Sunflowers thrive in warmer months, and the Australian summer provides ideal conditions for their growth. During this period, fields around the state come alive with vibrant blooms that can reach up to two meters in height, offering a truly mesmerising sight. To catch the flowers at their peak, aim to visit in January or early February, when the fields are usually in full bloom.
Where to Find Sunflower Fields in Victoria
While Victoria may not be as famous for sunflowers as Queensland or New South Wales, there are several locations where you can enjoy these radiant fields.
1. Tatura and the Goulburn Valley Region
The Goulburn Valley region, known as Victoria’s fruit bowl, is one of the prime spots to experience sunflower fields. Located two hours north of Melbourne, Tatura and the surrounding areas are home to numerous farms that grow sunflowers commercially. Many of these farms open their fields to visitors during peak season, allowing you to stroll through the blooms and snap that perfect Instagram photo. This area also has numerous wineries and orchards, making it an ideal destination for a day trip filled with scenic beauty and delicious local produce.
2. Yarra Valley
Renowned for its wineries and vineyards, the Yarra Valley is also home to several sunflower fields during the summer. (Girasole will open in 2025 for visitors). Some vineyards even plant sunflowers as a complementary crop, providing a unique combination of wine tasting and sunflower spotting. The Yarra Valley’s fields may be smaller than others in Australia, but its rolling hills and scenic vineyards make it an incredibly picturesque location. After a morning of sunflower viewing, you can spend the afternoon sampling local wines and enjoying the stunning natural surroundings.
3. The Macedon Ranges
The Macedon Ranges, just an hour from Melbourne, is another fantastic spot to see sunflowers in bloom. Known for its cool-climate wines and lush landscapes, this region is a favourite for nature lovers. Some farms in the area plant sunflowers, and the cooler climate here makes it a unique location for sunflower photography. The region’s charming villages, such as Kyneton and Woodend, are also worth exploring, offering boutique shops, cosy cafés, and galleries that make for a well-rounded trip. Sault at Daylesford has both lavender and sunflower fields
4. Private Farms and Pop-Up Sunflower Fields
Across Victoria, private farms often grow sunflowers for commercial purposes, and some allow visitors to enjoy their fields during peak bloom times. Keep an eye out for local announcements, as these fields may be smaller pop-ups that open only for a limited time. Social media is an excellent tool for finding these lesser-known spots, as farmers often advertise on Instagram or Facebook when the fields are open for public visits. Pick Your Own Sunflowers at Dunnstown is always worth a visit
Tips for Visiting Sunflower Fields in Victoria
When visiting sunflower fields, there are a few things to keep in mind to ensure a great experience and respect the property and flowers:
- Respect the Fields
Sunflowers may look sturdy, but they are delicate plants. Be mindful of where you step and avoid trampling the flowers. Always follow the pathways provided by the farms, and remember that many sunflower fields are on private property. Respecting the farmers’ efforts in cultivating these beautiful fields is essential. - Wear Sun Protection
Victoria’s summer can be intense, so wear sun protection when visiting. A wide-brimmed hat, sunscreen, and sunglasses are essential, especially if you spend a few hours wandering the fields. The bright blooms and reflective soil can warm the fields, so staying hydrated is also key. - Come Early or Late for the Best Lighting
To capture the best photos, visit the fields early in the morning or late in the afternoon. This is when the lighting is softer, reducing harsh shadows and enhancing the colours of the sunflowers. Many photographers find that the “golden hour” just after sunrise or before sunset provides the perfect natural light to make the sunflowers truly glow. - Dress Comfortably and Consider Footwear
While sunflower fields look magical, they’re still farm fields that can be dusty, muddy, or uneven. Opt for comfortable, sturdy footwear—ideally, something you don’t mind getting a little dirty. Light, airy clothing is also ideal for staying comfortable in the summer heat. - Bring Your Camera and Get Creative
Sunflowers are excellent subjects for photography, and there’s no shortage of creative ways to capture them. Experiment with different angles—shoot from below to make the flowers look even taller or focus on close-up shots of the flower heads to highlight their unique textures. Many sunflower fields even provide props, such as vintage bikes, picnic setups, or hay bales, to add a touch of charm to your photos.
Sunflower Season Events and Workshops
Some regions in Victoria host special events and workshops during sunflower season, catering to both photography enthusiasts and casual visitors. These events may include guided tours of the fields, photography workshops, or even yoga sessions among the sunflowers. Check with local tourism boards and social media pages to see if any special events align with your visit.
Supporting Local Farmers
Many sunflower fields are grown by local farmers who rely on visitor contributions to maintain these stunning blooms. Some fields charge a small entry fee, while others sell sunflower-themed products or fresh-cut sunflowers. By visiting these fields and purchasing their products, you’re supporting the local agriculture community and helping to ensure that these gorgeous fields remain open to the public for years to come.
Sunflower Season: A Celebration of Nature’s Beauty
Victoria’s sunflower season is a beautiful reminder of nature’s ability to bring joy and awe. Walking among sunflowers, watching them sway in the breeze, and enjoying the vast expanse of vibrant colours is a beautiful way to connect with the outdoors. Whether you’re visiting for photo opportunities, soaking in the beauty, or enjoying a unique summer experience, Victoria’s sunflower season offers something truly special.
So, mark your calendar, pack your camera, and prepare for a golden adventure in one of Victoria’s breathtaking sunflower fields this summer.
Nestled in the heart of Victoria, the picturesque town of Nagambie. The town is known for its serene lake, lush surroundings, and vibrant community spirit. However, in recent months, this tranquil town became the centre of a critical environmental struggle to save 51 mature trees from being cut down as part of a proposed development project. Some trees are hundreds of years old and were at risk of being removed to make way for a lifestyle village development near Buckley Park. The story has a happy ending thanks to the community action led by a 51 Trees FB group.
The Importance of the 51 Trees
The 51 trees in question are not just random greenery; they are decades-old grey box giants that play a crucial role in the local ecosystem. Their canopies provide shade; their roots help stabilise the soil. They support biodiversity by offering birds, insects, and other wildlife habitats. From a climate perspective, these trees are vital carbon sinks, absorbing carbon dioxide (CO2) and releasing oxygen. In an era where climate change threatens ecosystems globally, preserving such natural assets is essential. Additionally, these trees enhance the aesthetic charm of Nagambie, attracting tourists and providing a serene backdrop for locals to relax and unwind.
The Threat
Plans for urban development, including new infrastructure and possible residential expansion, threatened these 51 trees. While progress and growth are essential for any town, the community argues that development should not come at the expense of irreplaceable natural heritage. Once the trees are cut down, their ecological benefits will disappear. Crucially, it could take decades for newly planted saplings to provide comparable value.
This conflict is not unique to Nagambie. Communities across Australia and the world face similar dilemmas, often pitting economic interests against environmental preservation. However, the situation in Nagambie highlights a broader question: Can development and nature coexist harmoniously?
The Community’s Fight
Nagambie residents, environmentalists, and supporters from neighbouring towns rallied to protect these trees. Moya Stewart and Deb Dudley founded the 51 Trees FB group to rally community support. They organised peaceful protests, initiated petition drives, and sold aprons, tea towels and wine at markets. They engaged with local authorities to explore alternatives to the proposed plans. The message is clear: cutting down these trees should be the last resort.
Children have created painted signs, seniors have shared stories of playing under the trees during their youth, and local artists have crafted works inspired by these natural wonders. Social media campaigns using hashtags like #SaveNagambieTrees have raised awareness of the issue, capturing attention nationwide. The community’s stance is not against development itself but rather for a more thoughtful approach. Many residents suggest that developers consider alternative designs, allowing the trees to coexist with new infrastructure. Such compromises would demonstrate that Nagambie values both progress and preservation.
The Outcome
The campaign to save Nagambie’s 51 grassy box woodland trees was ultimately successful. After nearly two years of protests and legal actions, the Victorian Planning Minister decided to preserve the trees. This decision highlights the significance of community action and environmental advocacy in shaping urban planning. Rhonda Richards played a significant role in the campaign to save the 51 trees in Nagambie. As an active Save 51 Trees group member and chair of the Longwood Plains Catchment Network, she worked alongside other community members and environmental organisations to oppose the removal of these historic trees.
Richards contributed to the community-driven effort by coordinating actions, raising awareness about the trees’ environmental and cultural value, and advocating for their protection. This included participating in public objections, leveraging her network to gain support from local and regional environmental groups, and engaging in legal action through the Victorian Civil and Administrative Tribunal (VCAT). Ultimately, the campaign succeeded when the Victorian Planning Minister intervened to protect the trees. However, the developer, Hallmarc, can appeal the decision within a specified timeframe.
You can still help
The financial burden on those involved in saving the trees has been substantial, and they are still working to recover funds. You can help by purchasing a beautiful high quality calendar or attending the Eurora Twilight Market, where their products and other items are available for sale.
Calendars are priced at $25 each and will be available at the market. They can also be purchased from Botanic House Nagambie, Avenel Fair Foods and Wildflowers, Rushworth General Store, and Bluetongue Berries in Seymour.
Euroa Twilight Market, Binney Street, Euroa – Friday 13th December
The Kew Lunatic Asylum, originally known as the Kew Mental Hospital and later as the Willsmere Hospital, is a beautiful and significant historical landmark in Victoria, Australia. Along with Aradale in Ararat and Mayday Hills in Beechworth, it was built to house the growing colonies’ “lunatics.” Its establishment in the 19th century marked a pivotal moment in the treatment and management of mental health in Australia.
Origins and Construction
The Kew Lunatic Asylum was conceived during a period when the treatment of mental illness was undergoing significant changes. In the mid-19th century, the Australian colonies were rapidly growing, and the need for adequate mental health care became increasingly apparent. Before the construction of Kew, mental health patients in Victoria were housed in inadequate and overcrowded facilities. The prevailing attitudes towards mental illness were largely custodial, with the primary focus being on containment rather than treatment.
The asylum, designed by the Public Works Department under the supervision of the architect Frederick Kawerau, was intended to be a state-of-the-art facility. Construction began in 1864, and the building was officially opened in 1872. The E-shaped complex of buildings was designed to be elegant and beautiful, yet substantial, and viewed as “a magnificent asylum for the insane” to portray Melbourne as a civilised and benevolent city whilst avoiding the jail-like appearance of other asylums. These aims were furthered by using low Ha-Ha walls and extensively landscaped grounds. Long considered of cultural and historic significance to Melbourne, Kew Asylum and its complex of buildings were registered on the Register of the National Estate in March 1978.
The Kew Asylum was an imposing structure. Built in the Italianate style with a central tower, it has sprawling wings that extend outward like a vast institutional palace. The building’s grandeur and scale underscored the prevailing view of asylums as places of segregation rather than integration. The asylum was initially designed to accommodate around 500 patients, and it opened in 1872 with 214 inmates. However, the number soon grew to over 1000 as the population of Victoria expanded.
Treatment and Conditions
The early years of the Kew Lunatic Asylum were marked by overcrowding and a lack of adequate resources. Despite the intentions behind its construction, the facility quickly became overwhelmed by the number of patients. By the 1880s, the asylum housed over 1,000 patients, far exceeding its intended capacity. This overcrowding led to deteriorating conditions, with patients often housed in dormitories with little privacy or comfort.
Treatment methods at Kew were reflective of the period’s limited understanding of mental illness. While there were efforts to introduce more humane practices, such as occupational therapy and outdoor activities, the primary approach was still largely custodial. Restraints, seclusion, and sedation were standard practices, emphasising managing patients rather than curing them. The conditions at Kew were often harsh, with reports of patients being subjected to poor hygiene, inadequate food, and physical punishment.
The asylum employed various staff, including doctors, nurses, and attendants, who were responsible for the care of the patients.
Reform and Transition
The early 20th century saw significant changes in the treatment of mental illness and the management of asylums. There was a growing movement towards deinstitutionalisation and the development of community-based mental health services. The Kew Asylum, like many similar institutions, was gradually reformed in response to these changing attitudes.
In 1933, the institution’s name was changed to the Kew Mental Hospital. This reflected a shift away from the term “lunatic asylum,” which was increasingly seen as outdated and stigmatising. This change was part of a broader effort to modernise the facility and improve patients’ conditions. New treatments, such as electroconvulsive therapy (ECT) and various forms of psychotherapy, were introduced. More emphasis was placed on rehabilitation and preparing patients to return to the community.
However, the reform process was slow, overcrowding remained a persistent problem, and the institution struggled to provide adequate patient care. The rise of psychotropic medications in the 1950s and 1960s offered new hope for treating mental illness. Conversely, this also led to new dilemmas regarding the long-term care of patients.
Willsmere Closure and Legacy
The final chapter in the history of the Kew Lunatic Asylum came in the 1980s when the process of deinstitutionalisation reached its peak. Following global trends, the Victorian government began to close large psychiatric institutions in favour of smaller, community-based facilities. In 1988, the Kew Mental Hospital was officially closed, marking the end of an era in Victorian mental health care.
Following its closure, the asylum site underwent a transformation. The historic buildings were preserved and redeveloped into a residential complex known as Willsmere. The redevelopment preserved many of the original architectural features, including the central tower and the grand entrance hall, while creating new living spaces for residents. Today, Willsmere is a sought-after address, combining historical significance with modern amenities.
Chinamans Bridge is a large timber bridge that crosses the Goulburn River, 2.7 kilometres west of the Goulburn Valley Highway. It is believed to have been built in 1891 and was initially known as Kerris Bridge. It is one of Victoria’s oldest “surviving” timber bridges. The bridge’s construction was funded through a grant from the joint Public Works and Water Supply Departments. It was designed by the Goulburn Shire Council Engineer and built by the contractor JB Parkinson for £4188 3s 6d. Chinaman’s Bridge was first built as a drawbridge to allow river traffic to pass through. It was the era of river steamboats, and transport preferred the river to bullock teams on unmade roads. When river transport ceased, Chinaman’s drawbridge was no longer needed.
Architectural Features
The Chinamans Bridge had a lift span allowing sawmill and recreation steamers to pass through the Goulburn River. During the 1890s, the Nagambie Sawmill steamer crossed the bridge six times a week. Initially, the bridge carried the Nagambie-Heathcote Road over the river. However, a new bridge was built nearby, and the road was rerouted to cross the river at the new location.
The bridge was named Chinamans Bridge because it was located on Chinamans Road, an area once inhabited by Chinese market gardeners until 1916. Nagambie-Heathcote Road was initially known as Chinamans Road. Constructed of timber girder with hand-hewn squared timber stringers, the bridge features timber corbels and a deck. Of the lift span, only the timber fenders remain. The former drawbridge span was replaced with a steel span around 1940.
Heritage Listed
Chinamans Bridge holds heritage significance for the State of Victoria. It is listed in the Victorian Heritage Register (VHR) as place number 869 and register number H1449.3.
The bridge is historically significant as one of Victoria’s earliest all-timber road bridges. It is notable for using hand-hewn timber in construction and design details. Despite losing much of its original mechanism, the bridge is a rare surviving example of a bridge with a vertical span. From a historical perspective, Chinaman’s Bridge holds a noteworthy connection to the expansion of Victoria’s infrastructure in the 1890s and its role in the development of transport systems.
The bridge is closely linked with the growth of the township of Nagambie. It represents the prosperous sawmilling industry in the district during the 1890s. Chinamans bridge holds historical significance with its link to the steamboat era in Victoria. During this era in the 1890s, rivers were the preferred mode of transportation for recreational and commercial purposes over roads.
Flood Damage
The decaying bridge timbers were further weakened during the 2022 floods, making it extremely fragile and at risk of collapsing at any moment. Due to the immediate danger of collapse, engineers have deemed the bridge beyond repair. An exclusion zone was declared, and boats have been prohibited from passing under it since then.
The Strathbogie Shire Council has since applied to Heritage Victoria to have the heritage listing removed, allowing the bridge to be demolished.
Harry Power (1820-1891) was one of Australia’s most infamous bushrangers. He played a significant role in shaping the legend of bushranging during the 19th century. Born as Henry Johnson in Waterford, Ireland, in 1819, Power would lead a life of crime that spanned several decades before his eventual capture at Powers Lookout. He left a lasting imprint on Australian folklore. His story is a fascinating tale of crime, escape, rebellion, and the harsh realities of life in the colonial frontier.
Early Life and Criminal Beginnings
Harry Power was born into poverty and hardship. In the early 19th century, Ireland was a place of extreme social inequality, and Power’s upbringing reflected this. He grew up in a working-class family, and his early life was marred by deprivation. At the peak of convict transportation from Britain to Australia, Powers was convicted of stealing seven pairs of shoes at age 21 in 1840. The system of transportation was brutal, designed to both punish and isolate criminals from society. This marked the beginning of his long and tumultuous career as a criminal.
Upon his arrival at Port Arthur Penal Settlement in Van Diemen’s Land (now known as Tasmania), Power was subjected to the brutal conditions typical of convict life. The harsh treatment and forced labour in the colony’s penal system hardened Power and fueled his determination to escape. By 1855, after serving his sentence and receiving a ticket of leave, Power began his life of crime in earnest. He engaged in various criminal activities, including horse theft, which would become one of his signature crimes.
The Rise of a Bushranger
Powers’ notoriety and reputation as a bushranger soared. In 1856, he was arrested for horse stealing and received a thirteen-year sentence at Victoria’s infamous Pentridge Prison. His involvement in the murders of Owen Owens and John Turner further solidified his reputation. However, he was ultimately found not guilty of the murders. After spending two and a half years in the hulks, he was moved to the Pentridge Stockade but escaped in 1862. Subsequently, he was apprehended again for horse stealing and sentenced to seven years on the roads at Beechworth on February 19, 1864.
Escape
Power again escaped from Pentridge on February 16 1869, and held up the mail coach at Porepunkah on May 7. On May 22nd, he bailed up another coach on Longwood-Mansfield Road. Power then embarked on a series of robberies and hold-ups that terrorised the rural communities of Victoria. His criminal activities included robbing mail coaches, raiding homesteads, and engaging in violent confrontations with the authorities. Power’s audacity and success in evading capture made him a folk hero to some and a feared outlaw to others.
Harry Power became a master of the bushranger’s craft. He used his knowledge of the land, honed as a stockman, to evade capture. His robberies were bold, and he developed a reputation as a cunning and elusive criminal. He primarily operated in the northeastern regions of Victoria, where he terrorised travellers and settlers. Power was known for his “gentlemanly” conduct during his robberies. Unlike some other bushrangers, he was said to refrain from unnecessary violence and was polite to his victims. This image of the “gentleman bushranger” contributed to his growing legend.
The Mentor to Ned Kelly
One of Harry Power’s most intriguing aspects is his connection to the Kelly family. In the late 1860s, a young Ned Kelly, who would later become Australia’s most notorious bushranger, fell under Power’s influence. According to popular accounts, Power took Ned under his wing, teaching him the skills needed to survive as a bushranger. This relationship between Power and Kelly is significant in Australian history. While verifying the full extent of their partnership is difficult, it is widely accepted that Power played a role in shaping Ned Kelly’s early criminal career.
Ned Kelly’s family was well known to Power. The Kellys were struggling Irish immigrants living in the harsh conditions of colonial Victoria. Like many of their class, they had frequent brushes with the law. The Kelly family’s resentment towards authority and their rebellious spirit aligned with Power’s own experiences. Under Power’s mentorship, the young Ned Kelly was exposed to the life of a bushranger, and Kelly learned to live off the land, plan robberies, and outwit the police.
While Power was nearing the end of his criminal career, he may have inadvertently set the stage for the Kelly Gang’s rise, which would eclipse Powers’ fame and capture the nation’s imagination. It would also spark fierce debates about justice, authority, and the nature of rebellion.
Capture and Imprisonment
In September 1869, the Victorian government offered a reward of £200 for Power’s arrest. This was soon increased to £500. As a result, he moved to New South Wales but later returned to Victoria. However, he evaded capture until June 5, 1870, when he was arrested by Superintendents Nicolson and Hare, along with Sergeant Montford and a black tracker.
The trio surprised Power in his hideout at Power’s Lookout, a rocky escarpment overlooking the Quinn property on the King River. James Quinn received a reward of £500 for his information and assistance. Power was sentenced to fifteen years of hard labour at Beechworth for three counts of bushranging and was again incarcerated at Pentridge.
In prison, Power became something of a celebrity. His life stories as a bushranger captivated fellow inmates and the public. Despite his criminal past, Power remained a charismatic figure who entertained with tales of his adventures. However, prison life took its toll on him. By the time he was released in 1885, he was an old man in poor health, a shadow of the fearsome bushranger he had once been.
After being released, Power first worked as a gamekeeper. Later, he became a caretaker on the Success, a ship that had previously served as a prison hulk. However, it had been transformed into a travelling waxworks display showcasing the torture and punishment inflicted on criminals. The ship eventually sank, but Harry survived and returned to the bush. In 1891, he drowned in the Murray River as an old man with only a few shillings to his name.
Visit Powers Lookout
Drive three kilometres on a gravel road from Mansfield-Whitfield Road to a parking area with picnic tables and restrooms. Two lookout points offer stunning views of the surrounding mountain and valley. The first lookout is close to the carpark and wheelchair accessible. To reach the second lookout, you’ll take a short 0.4-kilometre walk with a series of steel ladders which lead to a viewing platform at the northernmost point of the rocky outcrop. It’s easy to see why Power chose this spot as a hideout. The stunning panoramic view allowed him to see and evade mounted police and trackers from miles away.
There’s also a 20-minute return walk through the bush to a waterhole surrounded by beautiful rocky ledges. To get there, follow the path near the toilets in a westerly direction.
Located in the heart of Victoria’s far west region of the Wimmera is Murtoa, a quaint country town roughly halfway between Melbourne and Adelaide. Murtoa is primarily known for its history as well as its booming grain farming industry. The farming industry produces wheat, barley, chickpeas & lentils for domestic and export markets. Murtoa is also an essential part of the Silo Art Trail, which celebrates regional Australia in a modern and accessible artistic context.
Historical Roots
Like many other towns in the Wimmera region, Murtoa has a rich history deeply rooted in agriculture. The town is named after an aboriginal word meaning ‘home of the lizard’ and was established in 1873 during the gold rush era. The development of the railway network for grain transportation significantly influenced its progress. Over the years, Murtoa evolved into an essential hub for grain production.
Agriculture remains the cornerstone of Murtoa’s economy, with wheat and barley being the major crops cultivated in the surrounding farmlands. The town has kept up with modern agricultural practices by incorporating technology to enhance efficiency while preserving its rural character. The Murtoa Stick Shed Heritage Weekend is held annually in the first week of October. It celebrates the town’s significant agricultural heritage and pays homage to grain storage and processing history. It attracts locals and tourists interested in learning more about these aspects of the town’s past.
Natural Beauty
Murtoa is also a beautiful destination for nature enthusiasts as vast plains and picturesque lakes encompass it. In 2010 the Wimmera Mallee pipeline was finished; consequently, the lake was no longer used as a reservoir. A Committee of Management was established, and significant improvements have been made since then. The park and lake have become a sanctuary for bird life, and with its 1921 Memorial Arch, it has become the focal point for many of the town’s recreational activities.
Lake Marma is a beautiful spot where you can relax and unwind. It has a lovely 2km walking track lined with trees. The track passes a jetty, manicured lawns, and seating areas where you can enjoy the spectacular views. Murtoa Cabins are conveniently situated on the foreshore of Lake Marma and offer comfortable accommodation. The self-contained cabins also have verandahs where you can enjoy sunset views. They are also just a short walk from the town centre and other attractions.
museum Precinct
Significantly, Murtoa is home to three of Victoria’s heritage-listed sights. The first is the Stick Shed, an impressive grain store built in 1941 and often called the Cathedral of the Wimmera. The second is the Railway Water Tower, built in 1886.
The tower is an impressive 4-storey, 13-metre high tower and home to the Water Tower Museum. The museum hosts the unique James Hill Taxidermy Collection, which includes over 500 birds and other fauna, historical artefacts, memorabilia, and households. It also houses farming tools from the 1890s, the town’s most significant growth era. Visitors can climb up the spiral staircase to the top floor, which reveals the underbelly of the 40,000-gallon wrought iron tank that used to store water for steam locomotives. The third heritage-listed sight in Murtoa is the Kurrajong Tree Ave. It was established in 1901 and is the oldest native street planting in Victoria.
The Murtoa silo art
The wheat silo has recently been painted by the renowned street artist SMUG and digitally lit by Dave Jones’ Transience. The stunning mural of brightly coloured birds was inspired by James Hill’s taxidermy collection at the Murtoa Museum (in the water tower). This bird mural is a sight to behold, day and night. The mural also pays homage to Dr John Cade, a Murtoa native who discovered Lithium treatment for Bipolar disorder.
Concordia Cottage
Concordia Cottage is the last remaining building of the original Lutheran college, which was established in Murtoa from 1890 to 1904 as a male Lutheran seminary and teacher training college on the corner of Lake and Munro Streets. In 1905, Concordia College relocated to Adelaide, where it still exists.
The Concordia Cottage building was later moved to Cromie Street in 1934. The Salvation Army used it as a hall and house until 1940. It was then remodelled as a private home until it fell into disrepair by the 1990s. However, in 1997, the cottage was moved to its current home, near the old Water Tower. It was officially opened in October 1997 as part of the Museum precinct. Displays include War memorabilia, Coromby Band photos, the old Murtoa telephone switchboard, historical clothing and a research room.
The Murtoa Heritage Trails Brochure, available for download, provides visitors with a self-guided tour through the town. As you follow the Blue and Red Trails, you will discover the heritage buildings located in the town’s centre. The Murtoa Historic Precinct entry tickets and Murtoa Heritage Trails self-guided walking tour brochures are all available at the Water Tower Museum shop.
Admission is $9 Adult (Eftpos available). Children under 16 free
Labassa, a high Victorian gothic mansion, is a testament to a vibrant history that extended well into the twentieth century. This opulent residence, once home to a silent movie star, artists, and bohemians, is a treasure trove of ornamental decorations. Its interior is adorned with opulent Japanese wallpapers, intricate stained glass windows, and a rare trompe l’oeil ceiling.
“By the 1880s, Melbourne was one of the wealthiest, most glamorous cities in the British Empire. Between 1885 and 1890, nine or ten buildings were completed in the city centre each week, many of them sic to twelve storeys high. This heady decade opened with the completion of the Royal Exhibition Buildings, designed in the Renaissance revival style. In 1888-89, the Centennial Exhibition was staged there, a momentous event that signified Melbourne’s high artistic, economic and social achievements.
Excerpt from Labassa: A Grand Victorian Mansion
The Early Years
Home to Melbourne’s elite, Labassa was originally a modest eight-roomed country house called Sylliott Hill and built for Melbourne judge Richard Billing in 1862. Billings passed away at home due to a stroke in 1882. In 1883, a prominent Melbourne businessman, Alexander William Robertson, leased the Sylliott Hill property from Billing’s widow. Robertson, a Canadian, had immigrated to Melbourne in 1853. In 1861, he purchased the Bendigo mail contract along with fellow Canadian John Wagner.
In 1885, Robertson purchased the adjoining allotment on Balaclava Road. He consequently bought the Billing’s property in 1887. In 1889, the house was redesigned by German-born architect John A. B. Koch for Robertson in the French Second Empire style. The comprehensive redesign transformed the building from a house into a thirty-five-roomed mansion with stunning views across Port Philip Bay. By 1890, with the redesign complete, Robertson, a co-owner of Cobb & Co, renamed Ontario. He also installed cast-iron gates befitting Buckingham Palace at the corner of Orrong and Balaclava roads.
Renamed Labassa
After Robertson’s passing, the house was bought in 1904 by John Boyd Watson II, the heir to a Bendigo mining fortune. Under Boyd’s ownership, the mansion was renamed “Labassa’. At Labassa, he hosted monthly dinners with printed menus, including a children’s birthday party in 1905 attended by seventy friends.
Converted to flats
Following John Watson’s passing in 1911, his widow sold parts of the Labassa estate. Mrs Watson retained a 1.73-hectare parcel containing the house. In 1913, forty-six more allotments were auctioned at Labassa Estate, and Labassa Grove and Ontario Street were formed to the east of the property.
Eventually, Labassa went through 60 years of decay. In 1920, the house’s new owner, Robert Hannon, built a red brick block of flats adjacent to the property. Subsequently, in 1923, the mansion was divided into apartment flats and became home to residents of more modest means. Among Labassa’s new residents was Louise Lovely (1862-1920), Australia’s first silent film actress who found acclaim in Hollywood. From 1930 to 1940, the mansion became the setting for numerous extravagant parties and meetings, such as the Emilie Robins Auxiliary for the Queen Victoria Hospital. The Red Cross also hosted fundraisers at Labassa to aid the Red Cross Comfort Fund during the Second World War. Following the post-war immigration boom, Labassa became a residence for some European families displaced from their homelands.
In the 1960s and 1970s, the sadly neglected mansion became a haven for artists and bohemians. For instance, Singer-songwriter Hans Poulsen, known for “Boom Sha La La Lo” and “Rose Coloured Glasses,” lived in Labassa’s tower with a pet crow. Comedian Jane Clifton lived upstairs in the servants’ quarters during her ‘long-haired moon-mother cookie baking’ phase in the 1970s.
National Trust
The subdivision of the property continued until the National Trust of Australia purchased the house in 1980. The National Trust later acquired adjacent sites, one to the southeast in 1984 (the house on that site was demolished in 1988) and another to the west in 1988. The back of the building included a two-storey wing built in 1873 and a single-storey cottage from the 1860s, while the two-storey wing is connected to the main house by a tower.
In its heyday, the estate included stables, built in 1873, a conservatory and a tennis pavilion, both assumed to have been added in 1890. Thankfully, these outbuildings have survived. However, the conservatory was converted for residential use and the stables in 1926. The tennis pavilion remained in its original location at 13 Manor Grove until it was relocated to the mansion gardens in 2014. Internally, various decorative treatments from the late nineteenth and early twentieth centuries remain from both the Robertson and Watson occupancy periods. These include wallpapers, ceiling decoration, chimney pieces, mouldings, joinery, and decorative glass. Labassa has now been restored to how it looked when John Koch completed the work in 1890.
Labassa is open the Third Sunday of each month from 10:30 am to 4:00 pm
Admission
Adults: $15
Concession: $12
Children: $9
Family (2A + 2C): $35
National Trust Members receive FREE Entry. Pre-booking encouraged.
Located at 2 Manor Grove, Caulfield North 3161 VIC
Como House is a charming and beautiful mansion that was the family home of the Armytage family. The interiors were designed according to the family’s tastes and style and reflected the changing times and trends. Significantly, it was the first house museum in Australia to be acquired by the National Trust with its original contents. This included furniture, domestic technology, and decorative arts, making it a treasure trove of historical artefacts. In addition to being a family home, Como also functioned as a workplace for its staff. Thankfully, the original servants’ quarters have been preserved, offering a fascinating glimpse into the mansion’s history.
Land beside the river
Como House, built in 1847, uniquely blends Australian Regency and classic Italianate architecture. The garden still showcases many elements of its original 1850s design. Como is situated on the traditional lands of the Wurundjeri Woi-wurrung and Bunurong Boon Wurrung peoples. These are two of the five language groups making up the Kulin Nations. Melbourne and the southern banks of the Birrurung (Yarra) are culturally significant as meeting places and hunting grounds for the Kulin Nations.
Colonisation significantly impacted the traditional way of life of Aborigines. The southern banks of the Birrurung became cattle runs by 1837. William Lonsdale, the Port Philip Police Magistrate, was responsible for making ‘Crown’ land available to squatters through licenses. His nephew George Langhorne was in charge of the Government Mission for Aboriginal People, which closed in 1839.
Lonsdale suggested selling the land, which his nephew Alfred (George’s brother) then purchased. Alfred then divided the land into lots, and in 1846, Edward Eyre Williams bought the lot where Como was built. Williams, a lawyer, later became a judge at the first Supreme Court of Victoria. He purchased land extending from the Yarra River to Toorak Road, using the proceeds from compensation paid to him after the abolition of slavery.
The Eyre Williams Years
Williams consequently commissioned the construction of a four-room residence with a separate kitchen and named it ‘Como’. The walls of the villa and kitchen were built from stones, mud, and rubble hauled up from the banks of the Birrurung. In 1852 Williams sold Como, which had a “noble frontage to the River Yarra” and “commanding views of the surrounding country” to Frederick Dalgety. Dalgety owned a firm supplying wool, gold, and settlers’ trades. However, Dalgety considered Como “infernally dull”. Within a year, he sold it to John Brown, a master builder who later became a wine and spirit merchant.
John Brown appointed William Sangster as head gardener and overseer in December 1855. Sangster, a garden designer, played a significant role in the early development of Melbourne. Sangster’s notable designs include Carlton Gardens in Carlton, Daylesford Public Garden, and Victoria Gardens in Prahran. He also designed Rupertswood in Sunbury, Rippon Lea Estate in Elsternwick, Stonington Mansion in Malvern, and Ard Choille at Mount Macedon, Victoria.
A picturesque Garden
Sangster supervised the design and development of the site, using the principles of picturesque garden design. The design included a detailed five-acre ornamental garden and a new carriageway from the main road (now Toorak Road). He also created several areas of orchards and vegetable gardens on the slopes leading down to the river. Along the southern boundary of the Yarra River, he planted willows, poplars, and Dutch elms. Many aspects of his design are still present, and the remaining trees are impressive specimens.
The house and the garden were developed simultaneously. Brown had the grounds landscaped while adding a second story to the original four-room villa. This included an upstairs ballroom overlooking the gardens. However, Brown overreached himself in his ambition to join Melbourne’s elite. Brown lost his fortune and was forced to sell his beloved Como.
The Armytage Family
Charles Armytage, a wealthy pastoralist, purchased Como for £14,000 in 1864. He and his wife Caroline lived with their eight children at Fulham Station, a large sheep holding just outside Geelong. Caroline was born in 1832 into a prosperous landowning family in Lechlade, UK. Arriving in the colony, she worked as a governess for the Austins of Barwon Park before marrying Charles, whom she had met at the local Winchelsea church.
Their hard work in the country, combined with Charles’ inheritance, had brought considerable wealth. The family began looking for a townhouse. Hearing Como was up for sale, Armytage decided it would be the ideal residence to solidify the family’s position in the growing Melbourne social scene. They spent the social season in Melbourne at Como and the rest of the year at their rural estates. The house was expanded in 1874 with the addition of a ballroom wing and an upstairs children’s wing.
The Grand Tour
After Charles passed away in 1876 at the age of fifty-two due to a pancreatic disorder, Caroline, who was 44 at the time, inherited the estate. Caroline decided it was the perfect time to travel. She wanted to ensure her children received a suitable education as members of Melbourne’s high society. On December 26, 1876, the servants packed trunks onto carriages at the front of Como House. Then, Caroline, her nine children, and a large retinue of servants, including two cows for fresh milk, boarded the sailing ship, the Assam, and embarked on a four-year ‘Grand Tour’ around the world.
Courtesy of the University of Melbourne Archives
Charles Norman was sent to study at Cambridge. Meanwhile, Caroline, the other children and servants, went to Egypt, India, China, Japan, Russia, and Europe. This journey was documented in a diary kept by Ada, Caroline’s eldest daughter. During this tour, Caroline sent crate-loads of mirrors, vases, chandeliers and furniture back to Como.
Courtesy of the University of Melbourne Archives
In 1878, ‘Mumma went to the Paris International Exhibition; she walked up to an exhibitor and bought a large ebonised door for the Drawing Room. He looked rather bemused when she asked to have it sent to Melbourne, Australia.’
Ada Armytage
A family home
When Caroline and her family returned to Melbourne in 1880, they made Como their permanent residence. The lifestyle of the Armytage family and Como was supported by a large group of servants who did all the day-to-day work. Caroline employed cooks, a laundress, a housemaid, a needlewoman, a “Tweeney” (a between-the-stairs maid whose bedroom was in the tower), a parlourmaid, a milkman, a messenger, two permanent gardeners, and a coachman.
Courtesy of the University of Melbourne Archives
Federation celebrations in 1901 saw a constant round of parties and musical evenings. During these, Constance met Captain Arthur Fitzpatrick, the aide-de-camp to the governor of Victoria. After a brief engagement, Constance and Arthur were married at St. John’s, Toorak, on May 9, 1906. The wedding was the social event of the season. The reception was held at Como and was attended by the cream of Melbourne society, including old friends such as the artists Arthur and Emma Minnie Boyd.
The bride and groom moved to England, but Fitzpatrick abandoned Constance and disappeared with the seventy-thousand-pound dowry, ending the marriage. From then on, Constance lived as a single woman.
Courtesy of the University of Melbourne Archives
World War I
At the outbreak of the WW1, Ada was 55 years old, Constance 43 and Leila 39. Leila joined the Voluntary Aid Detachment (VAD) in England for the Red Cross and was sent to an Australian Military Hospital in Le Havre, France. By 1916, Constance was also living in Le Havre, where she worked side by side with Leila as an untrained nurse and ambulance driver, picking up the wounded and the dying soldiers from the battlefields.
While the sisters were away from Melbourne for eleven years, Laura, a delicate and artistic woman, remained at Como. When the sisters returned after the war, they found Como somewhat worn out, with its Edwardian grandeur fading away. Following Caroline’s death in 1909, the property, including the house, was divided and put up for auction. Her daughters Ada, Laura, Constance, and Leila bought the house and the surrounding 15 acres of gardens. In 1921, the Armytage family sold 35 acres of Como’s river frontage, leaving just over five acres of house and garden. Of the five sons, only two married, and of the four daughters, only Constance married. Ada died in 1939. Laura lived as a recluse at Como from the 1920s and died in 1956.
Film Location
Como House has been the location of many Australian shows, and The Seekers filmed the video for Morningtown Ride there in 1967
In 1959, the newly formed National Trust acquired Como and opened it to the public.
Como House is located at Corner Williams Rd & Lechlade Ave, South Yarra 3141 and is open daily from 10 am to 4 pm
Guided tours of the house are available on Wednesdays & Fridays at 1.30 pm Saturdays and Sundays at 11.00 am, 12.30 pm and 2 pm
Como House Tours
Adult: $15
Concession: $12
Child: $9
Family: $35 (2A + 2C)
National Trust Members: Free
Nestled amidst the bustling inner suburbs of Melbourne, Ripponlea Estate offers a captivating glimpse into Victoria’s grand colonial past. Step back in time and explore the meticulously preserved Ripponlea Mansion, a magnificent example of Italianate architecture that whispers tales of affluence, societal change, and the enduring legacy of the wealthy Clarke family. As you wander through the ornately decorated rooms, marvel at the opulent furnishings, and lose yourself in the meticulously landscaped gardens, you are transported to a bygone era of elegance and grandeur.
Ripponlea Estate is a historic site in the heart of Melbourne, well known for its cultural heritage and stunning architecture. It features a grand mansion, lush gardens, and a rich history, making it an iconic landmark. The estate dates back to the 19th century when it was established by Sir Frederick Sargood, a well-known businessman and philanthropist from Melbourne.
The Mansion
In 1868, Sir Sargood purchased the land. Architect Joseph Reed was commissioned to design a luxurious fifteen-room mansion that would become the focal point of the estate. The Victorian Italianate mansion, similar in style to Werribee Mansion, was a stunningly beautiful architectural masterpiece. It featured intricate details, a grand staircase, luxurious interiors, an underground watering system, and even its own electricity supply. It was rare for that period to have indoor bathrooms, but Ripponlea had them, adding to its reputation as a symbol of luxury and sophistication.
During the 1880s, the mansion underwent significant renovations. The dining room was enlarged to the size it is today. In addition, a tower was constructed, and a second floor was added to the back wing of the mansion. The kitchens were also remodelled, and a larger fernery was planted. A veranda was fitted on the west front, and the gardens were redesigned. Furthermore, the drainage system was extended to improve the overall functionality of the mansion.
In 1897, the mansion underwent further renovations. These included the addition of the current front entrance, a gentleman’s washroom, and an office. The study was extended to become the drawing room, while the former drawing room was transformed into an informal sitting room. The staircase was rebuilt, and the mansion was expanded from six to eleven bedrooms, some intended for staff. Additionally, a large new bathroom was added upstairs.
The Sargood Family
Upon completing Ripponlea, Sir Sargood, his first wife Marian, and their nine surviving children moved into the mansion. They were accompanied by an entourage of staff, which included seven maids, a butler, seven gardeners, a coachman, and a groom. In 1878, Marian Sargood passed away while giving birth to her twelfth child (a stillborn boy) on her fortieth birthday. Following her death, Sargood took his children and three staff members back to England. However, in 1882, he returned to the mansion with a new wife and another child, a daughter born the day before the ship docked. After his return, he continued with his career as a member of parliament and was later appointed as the Minister of Defence.
In 1901, Sargood was elected to the first Australian Senate. Unfortunately, during a trip to New Zealand in 1903, he fell ill suddenly and passed away. After his death, Lady Sargood sold the property for 20,000 pounds. She then left for England with her daughter, never to return.
New Owners
In 1903, a syndicate led by Thomas Bent acquired Ripponlea from Lady Sargood. Bent, who later became the Premier of Victoria in 1904, used the property for hosting charity events and entertaining guests. However, he also started selling parts of the land. Bent was forced to resign in 1908 due to suspicion of corruption. He passed away the following year during an investigation into his alleged connection to land scandals. His death prevented Ripponlea from being further divided.
In 1903, Benjamin Nathan, a successful businessman, bought the estate. Nathan had made his fortune in the furniture business as the Maples Furniture and Maples Music owner. He moved into the property with his wife and two daughters and introduced more native plants to the garden. He also added a conservatory and 14 glass houses to grow orchids and employed 14-17 gardeners to maintain the garden. After Nathan died in 1935, his daughter Louise inherited the property.
Louise, her husband, lawyer Timothy Jones, and their four children moved into the property and started renovating it. They added a new kitchen and remodelled the dining room. The original ballroom was removed and replaced with a swimming pool, while the billiard room and museum were converted into the new ballroom. The house was cleared of clutter and redecorated in an elegant neo-baroque style featuring mirrors and soft greens.
Saving Ripponlea
In the early 1950s, Louise sold some of her land to ABC, who wanted to build a television studio. However, in 1963, ABC wanted to expand the studio. Subsequently, the federal government issued a compulsory acquisition order for an additional four acres of Louise’s land. She fought the order in the high court but unfortunately lost. A demonstration against the acquisition attracted 10,000 people. Louise knew her father wanted the gardens protected, so she arranged for the property to be transferred to the National Trust upon her death.
In 1972, Louise passed away, and the National Trust inherited Ripponlea. As a result, the acquisition order was withdrawn. Ripponlea was opened to the public for the first time in 1974. Within the first three months, it was visited by one hundred thousand people. Recognising its historical and cultural importance, the National Trust of Australia officially classified Ripponlea as a heritage-listed property in 1979. This designation ensured that the estate would be preserved and maintained for the benefit of future generations.
Today
Ripponlea Estate is a public attraction that allows visitors to travel back in time as they explore the mansion, gardens, and surrounding grounds. Guided tours are available, providing valuable insights into the lives of the estate’s former residents and the historical events that took place there. In addition to being a popular tourist destination, the estate is also a venue for events, weddings, and cultural programs. It is also frequently used as a film location, making it a vibrant part of contemporary Melbourne.
Visiting
192 Hotham Street, Elsternwick 3185 VIC
Entry Fees: General Admission includes garden entry plus a guided tour of the mansion (subject to availability).
Adult: $15
Concession: $12
Child (3-15 years): $9
Family (2 adults + 2 children): $40.
National Trust Members FREE.
Residents of the City of Glen Eira and Port Phillip have free access to the gardens at Rippon Lea Estate.
To obtain an entry card, residents must show acceptable forms of ID with proof of residency and complete an application form available in the Gatehouse on entry to the property.